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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Pen

60.822 werken uit 131 musea44 nu te zienAlles wissen

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Techniek
  • Alle
  • Potlood137.439
  • Pen60.822
  • Aquarel58.381
  • Inkt51.491
  • Krijt39.881
  • Gouache9.482
  • Houtskool8.850
  • Pastel4.205
  • Olieverf2.434
  • Zilverstift430
  • Gemengde techniek297
A Boar, Galloping to the Left, and a Sleeping Sow (on the Base), Giovanni Domenico Tiepolo, mid-18th–early 19th centuryGiovanni Domenico TiepoloA Boar, Galloping to the Left, and a Sleeping Sow (on the Base)mid-18th–early 19th centuryMetropolitan Museum of Art
Men Shoveling Chairs (Scupstoel), Vranke van der Stockt, 1444–50STOCKT Vranck van derMen Shoveling Chairs (Scupstoel)1444–50Metropolitan Museum of Art
The Artist at his Easel, Alfred Munnings, undatedAlfred MunningsThe Artist at his EaselundatedYale-centrum voor Britse kunst
Female Nude, Karel van Mander, about 1590Karel van Mander the ElderFemale Nudeabout 1590J. Paul Getty Museum
Consecration Day at Washington National Cathedral, Washington, DC (September 29, 1990), David Macaulay, 1989 - 1990David MacaulayConsecration Day at Washington National Cathedral, Washington, DC (September 29, 1990)1989 - 1990National Gallery of Art
View of a Swiss Villa, Rudolf von Alt, 1896Rudolf von AltView of a Swiss Villa1896Metropolitan Museum of Art
A River God (recto); Sketches for the Vestibule of the Laurenziana, Florence (verso), Bartolomeo Ammanati, 1531–92Bartolomeo AmmannatiA River God (recto); Sketches for the Vestibule of the Laurenziana, Florence (verso)1531–92Metropolitan Museum of Art
Apollo before Jupiter and the Gods on Olympus, Andrea Appiani, ca. 1785–90Andrea AppianiApollo before Jupiter and the Gods on Olympusca. 1785–90Yale University Art Gallery
The Challenge of the Pierides, from Ovid's Metamorphosis (Book V: 294-678), Karel van Mander I, 16th–17th centuryKarel van Mander the ElderThe Challenge of the Pierides, from Ovid's Metamorphosis (Book V: 294-678)16th–17th centuryMetropolitan Museum of Art
Aurora Riding in Her Chariot, Andrea Appiani, 1754–1817Andrea AppianiAurora Riding in Her Chariot1754–1817Metropolitan Museum of Art
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, ca. 1590Bartholomeus SprangerClassical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Templeca. 1590Metropolitan Museum of Art
Venus and Amor, Bartholomeus Spranger, ca. 1585Bartholomeus SprangerVenus and Amorca. 1585Metropolitan Museum of Art
The Age of Iron, Alonso Berruguete, 1520s–30sAlonso BerrugueteThe Age of Iron1520s–30sMetropolitan Museum of Art
The Good Thief, Karel van Mander IKarel van Mander the ElderThe Good ThiefNational Gallery of Art
Allégorie de la nuit, Karel I van Mander, 2e moitié 16e siècle, 1er quart 17e siècleKarel van Mander the ElderAllégorie de la nuit2e moitié 16e siècle, 1er quart 17e siècleMuseum voor Schone Kunsten van Rennes
Punchinello as a Dressmaker, Giovanni Domenico Tiepolo, ca. 1800Giovanni Domenico TiepoloPunchinello as a Dressmakerca. 1800Metropolitan Museum of Art
The Holy Family with Two Female Saints, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloThe Holy Family with Two Female Saints1727–1804Metropolitan Museum of Art
Cupid Blindfolded in the Clouds, with Five Attendant Putti, Giovanni Domenico Tiepolo, ca. 1770–90Giovanni Domenico TiepoloCupid Blindfolded in the Clouds, with Five Attendant Puttica. 1770–90Metropolitan Museum of Art
Cervix Dollar Bill, Ray Johnson, 1970Ray JohnsonCervix Dollar Bill1970National Gallery of Art
Study of a Garden Sculpture: Iole, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloStudy of a Garden Sculpture: Iole1727–1804Metropolitan Museum of Art
Punchinello as Tailor's Assistant, Giovanni Domenico Tiepolo, late 18th–early 19th centuryGiovanni Domenico TiepoloPunchinello as Tailor's Assistantlate 18th–early 19th centuryMetropolitan Museum of Art
The Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up), Giovanni Domenico Tiepolo, ca. 1770–90Giovanni Domenico TiepoloThe Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up)ca. 1770–90Metropolitan Museum of Art
Hercules and Antaeus (with a Base Below), Giovanni Domenico Tiepolo, late 18th centuryGiovanni Domenico TiepoloHercules and Antaeus (with a Base Below)late 18th centuryMetropolitan Museum of Art
Two Stags, One Standing and One Lying, on a Grassy Knoll (with a Base), Giovanni Domenico Tiepolo, after 1770Giovanni Domenico TiepoloTwo Stags, One Standing and One Lying, on a Grassy Knoll (with a Base)after 1770Metropolitan Museum of Art
The Departure of the Prodigal Son, Karel van Mander IKarel van Mander the ElderThe Departure of the Prodigal SonNational Gallery of Art
Cattle in a Landscape, Giovanni Domenico Tiepolo, mid-18th–early 19th centuryGiovanni Domenico TiepoloCattle in a Landscapemid-18th–early 19th centuryMetropolitan Museum of Art
The Leopards' Cage at the Menagerie, Giovanni Domenico Tiepolo, mid-18th–early 19th centuryGiovanni Domenico TiepoloThe Leopards' Cage at the Menageriemid-18th–early 19th centuryMetropolitan Museum of Art
The Angel Appearing to the Centurion Cornelius, attributed to Cornelis Cornelisz van Haarlem, late 1590sCornelis Cornelisz. van HaarlemThe Angel Appearing to the Centurion Corneliuslate 1590sNational Gallery of Art
Manasseh, Repentant Sinner from the Old Testament, Karel van Mander, 1596Karel van Mander the ElderManasseh, Repentant Sinner from the Old Testament1596J. Paul Getty Museum
Samuel Annointing David (recto); Sketch of two figures (verso), Karel van Mander I, ca. 1591Karel van Mander the ElderSamuel Annointing David (recto); Sketch of two figures (verso)ca. 1591Metropolitan Museum of Art
The Servants of Absalom killing Amnon (2 Samuel 13, 28-29); verso: Sketch of a seated woman, Karel van Mander I, late 16th–early 17th centuryKarel van Mander the ElderThe Servants of Absalom killing Amnon (2 Samuel 13, 28-29); verso: Sketch of a seated womanlate 16th–early 17th centuryMetropolitan Museum of Art
A Proverb: Wealth and Poverty, Karel van Mander I, mid-16th–early 17th centuryKarel van Mander the ElderA Proverb: Wealth and Povertymid-16th–early 17th centuryMetropolitan Museum of Art
Aurora Chases Away the Night, study for La Notte in the Sala dell’Udienze, Palazzo Reale, Milan (now destroyed), Andrea Appiani, 1809Andrea AppianiAurora Chases Away the Night, study for La Notte in the Sala dell’Udienze, Palazzo Reale, Milan (now destroyed)1809Yale University Art Gallery
Christ on the Cross, Alessandro Algardi, 1647Alessandro AlgardiChrist on the Cross1647National Gallery of Art
Design for a Covered Vase with the Arms of the Aldobrandini and Pamphilj Families, Alessandro Algardi, ca. 1647Alessandro AlgardiDesign for a Covered Vase with the Arms of the Aldobrandini and Pamphilj Familiesca. 1647Metropolitan Museum of Art
A French Hussar Leading a Horse, Jean-Baptiste-Edouard DetailleÉdouard DetailleA French Hussar Leading a HorseNational Gallery of Art
Clarification Piece, Lee Lozano, 1969Lee LozanoClarification Piece1969Museum of Modern Art
Untitled, Lee Lozano, (c. 1965)Lee LozanoUntitled(c. 1965)Museum of Modern Art
Thinking About Form & Content, Lee Lozano, 1972Lee LozanoThinking About Form & Content1972Museum of Modern Art
Untitled, Lee Lozano, 1965Lee LozanoUntitled1965Museum of Modern Art
Juno Appearing to Sea Gods, Cornelis Cornelisz van Haarlem, late 16th–early 17th centuryCornelis Cornelisz. van HaarlemJuno Appearing to Sea Godslate 16th–early 17th centuryMetropolitan Museum of Art
The Soft Shell'd Tortoise Got in Savanah River Georgia, William Bartram, ca. 1773William BartramThe Soft Shell'd Tortoise Got in Savanah River Georgiaca. 1773Yale-centrum voor Britse kunst
Landscape with a Horse Held by a Page, Giovanni Domenico Tiepolo, after 1770Giovanni Domenico TiepoloLandscape with a Horse Held by a Pageafter 1770Metropolitan Museum of Art
Fear Not, Gabriel Orozco, 2001Gabriel OrozcoFear Not2001Museum of Modern Art
Fear Not, Gabriel Orozco, 2001Gabriel OrozcoFear Not2001Museum of Modern Art
Venus and Mercury, Bartholomaeus Spranger, ca. 1600Bartholomeus SprangerVenus and Mercuryca. 1600Yale University Art Gallery
Study for a Statue of Queen Isabella, Pedro Mena y Medrano, 1673–1674Pedro de MenaStudy for a Statue of Queen Isabella1673–1674J. Paul Getty Museum
Headfort House: Chamber Floor Plan, Sir William Chambers, 1765William ChambersHeadfort House: Chamber Floor Plan1765Yale-centrum voor Britse kunst
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