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Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. Xylographies
Xylographies, Wassily Kandinsky, 1909
Vasily Kandinsky, portretVasily KandinskyFrankrijk, 1866–1944

Xylographies

1909 · Portfolio

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1909 · op 43-jarige leeftijd
18661944
Inventarisnummer
2001.113.1.1-6

In de catalogus

PrentenHoutsnedeModernisme20e eeuwRussian

Bronnen

  • National Gallery of Art
  • Afbeelding: National Gallery of Art — © the artist or rights holder

Intussen, in het leven van Vasily Kandinsky

Het hele leven
  1. 1906–1908

    Years of travel across Europe; the Blue Rose

    From 1906 to 1908 Kandinsky travelled a great deal across Europe, was an associate of the Moscow symbolist group the Blue Rose, and then settled in the small Bavarian town of Murnau.

  2. 1908–1909

    Murnau and Münter's “Russian House”

    Gabriele Münter bought a summer house in Murnau, where the couple happily entertained colleagues; it is still known as the “Russenhaus”. Later Münter used its basement to hide many works by Kandinsky and others from the Nazis.

  3. 1909

    President of the Neue Künstlervereinigung München

    Kandinsky helped found the Neue Künstlervereinigung München and became its president. The group dissolved in late 1911: it could not reconcile the radical approach of Kandinsky and others with conventional ideas of art.

  4. 1910–1911

    The treatise “Concerning the Spiritual in Art”

    The treatise defended and promoted abstract art and affirmed that all forms of art are equally capable of reaching spirituality; colour in a painting can be autonomous, apart from the depiction of an object. Kandinsky distinguished three kinds of painting: impressions, improvisations and compositions.

  5. 1911

    The birth of the Blue Rider

    After the earlier association dissolved Kandinsky formed the Blue Rider with August Macke, Franz Marc, Albert Bloch and Gabriele Münter. The group issued an almanac and held two exhibitions; the war ended further plans.

  6. 1911

    His first solo exhibition

    His first solo exhibition took place in the same years, when the Blue Rider was being born.

Meer van Vasily Kandinsky

Alle werken
Study for Improvisation V, Vassily Kandinsky, 1910

Study for Improvisation V

1910 · Minneapolis Institute of Art

Improvisation 27 (Garden of Love II), Vasily Kandinsky, 1912

Improvisation 27 (Garden of Love II)

1912 · Metropolitan Museum of Art

Nymphenburg, Vassily Kandinsky, 1904

Nymphenburg

1904 · Minneapolis Institute of Art

Импровизация 11, Vasily Kandinsky, 1910

Импровизация 11

1910 · Russisch Museum

Improvisation 31 (Sea Battle), Wassily Kandinsky, 1913

Improvisation 31 (Sea Battle)

1913 · National Gallery of Art

Синий гребень, Vasily Kandinsky, 1917

Синий гребень

1917 · Russisch Museum

Два овала, Vasily Kandinsky, 1919

Два овала

1919 · Russisch Museum

Improvisation No. 30 (Cannons), Vasily Kandinsky, 1913

Improvisation No. 30 (Cannons)

1913 · Art Institute of Chicago

Buren in huis: National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888