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  1. Collectie/
  2. Art Institute of Chicago/
  3. Improvisation No. 30 (Cannons)
Improvisation No. 30 (Cannons), Vasily Kandinsky, 1913

Improvisation No. 30 (Cannons)

1913 · Painting

Over het schilderij

In his 1912 book Concerning the Spiritual in Art, Vasily Kandinsky made an analogy between music and painting as two means of abstraction, a radical mode of artmaking that freed color and line from their traditionally representational functions. Between 1910 and 1914 he produced “improvisations,” works he described as unconscious, spontaneous expressions. Kandinsky commented on Improvisation No. 30 (Cannons) in a letter to Arthur Jerome Eddy, a friend and collector from Chicago: “The cannons . . . could probably be explained by the constant war talk going on through the year [but] the true contents are what the spectator experiences while under the effect of the forms and color combinations of the picture.”

Art Institute of Chicago · CC BY 4.0

Gegevens

1913 · op 47-jarige leeftijd
18661944
Inventarisnummer

Intussen, in het leven van Vasily Kandinsky

Het hele leven
  1. 1910–1911

    The treatise “Concerning the Spiritual in Art”

    The treatise defended and promoted abstract art and affirmed that all forms of art are equally capable of reaching spirituality; colour in a painting can be autonomous, apart from the depiction of an object. Kandinsky distinguished three kinds of painting: impressions, improvisations and compositions.

  2. 1910–1912

    The Izdebsky Salons and the Knave of Diamonds

    With the Neue Künstlervereinigung Kandinsky took part in two international Izdebsky Salons in Russian cities, from December 1910 to May 1911; in 1910 and 1912 he also exhibited with the Knave of Diamonds.

  3. 1911

    The birth of the Blue Rider

    After the earlier association dissolved Kandinsky formed the Blue Rider with August Macke, Franz Marc, Albert Bloch and Gabriele Münter. The group issued an almanac and held two exhibitions; the war ended further plans.

  4. 1911

    His first solo exhibition

    His first solo exhibition took place in the same years, when the Blue Rider was being born.

  5. 1911

    Divorce from his first wife

    Kandinsky was divorced from Anna Chemyakina; his relationship with Münter was nevertheless never formalized.

  6. 1914

Meer van Vasily Kandinsky

Alle werken

In dezelfde zaal · Gallery 392, Art Institute of Chicago

Museumpagina

Over hetzelfde thema · Century of Progress

Alle werken over dit thema
1931.511

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — CC0

The war: back to Russia via Switzerland and Sweden

The outbreak of World War I ended the Blue Rider's plans for further almanacs and exhibitions and sent Kandinsky back to Russia via Switzerland and Sweden; he returned to Moscow in 1914.

Vasily Kandinsky, portretVasily KandinskyFrankrijk, 1866–1944

Mag men het zien?

Ja, het ontvangt bezoek

Art Institute of Chicago

Chicago, Verenigde Staten

Zaal392

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina
Study for Improvisation V, Vassily Kandinsky, 1910

Study for Improvisation V

1910 · Minneapolis Institute of Art

Improvisation 27 (Garden of Love II), Vasily Kandinsky, 1912

Improvisation 27 (Garden of Love II)

1912 · Metropolitan Museum of Art

Nymphenburg, Vassily Kandinsky, 1904

Nymphenburg

1904 · Minneapolis Institute of Art

Импровизация 11, Vasily Kandinsky, 1910

Импровизация 11

1910 · Russisch Museum

Improvisation 31 (Sea Battle), Wassily Kandinsky, 1913

Improvisation 31 (Sea Battle)

1913 · National Gallery of Art

Синий гребень, Vasily Kandinsky, 1917

Синий гребень

1917 · Russisch Museum

Два овала, Vasily Kandinsky, 1919

Два овала

1919 · Russisch Museum

Painting with Green Center, Vasily Kandinsky, 1913

Painting with Green Center

1913 · Art Institute of Chicago

Painting with Green Center, Vasily Kandinsky, 1913

Vasily Kandinsky

Painting with Green Center, 1913

Landscape with Two Poplars, Vasily Kandinsky, 1912

Vasily Kandinsky

Landscape with Two Poplars, 1912

Painting with Troika, Vasily Kandinsky, January 18, 1911

Vasily Kandinsky

Painting with Troika, January 18, 1911

Self-Portrait, Max Beckmann, 1937

Max Beckmann

Self-Portrait, 1937

Small Town by Day (Badische Kleinstadt bei Tage), Georg Scholz, 1922–23

Georg Scholz

Small Town by Day (Badische Kleinstadt bei Tage), 1922–23

Movements, Marsden Hartley, 1913

Marsden Hartley

Movements, 1913

Champs de Mars: The Red Tower, Robert Delaunay, 1911/23

Robert Delaunay

Champs de Mars: The Red Tower, 1911/23

Carnival in Arcueil, Lyonel Feininger, 1911

Lyonel Feininger

Carnival in Arcueil, 1911

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Art Institute of Chicago

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Art Institute of Chicago

The Old Guitarist, Pablo Picasso, late 1903–early 1904

Pablo Picasso

De oude gitarist, late 1903–early 1904

Niet te zien · Art Institute of Chicago

At the Moulin Rouge, Henri de Toulouse-Lautrec, 1892/95

Henri de Toulouse-Lautrec

At the Moulin Rouge, 1892/95

Art Institute of Chicago

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

Art Institute of Chicago

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Art Institute of Chicago

The Assumption of the Virgin, Domenico Theotokópoulos, called El Greco, 1577–79

Domenico Theotokópoulos, called El Greco

The Assumption of the Virgin, 1577–79

Art Institute of Chicago

The Beach at Sainte-Adresse, Claude Monet, 1867

Claude Monet

The Beach at Sainte-Adresse, 1867

Art Institute of Chicago

Wat het toont

Century of ProgressWorld's fairsChicago World's FairsBlue (color)Purple (color)Yellow (color)Red (color)WeaponsCannons

In de catalogus

SchilderijenOlieverf
Russische schilderkunst
Sovjetschilderkunst
Franse schilderkunst
Duitse schilderkunst
Modernisme
20e eeuw
Duitsland