Vladimir Mayakovsky, Aleksandr Rodchenko, 1924
Aleksandr Rodchenko, portretAleksandr RodchenkoRusland, 1891–1956

Vladimir Mayakovsky

1924 · Photograph

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National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

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Gegevens

Inventarisnummer
2004.122.7

Wat het toont

In de catalogus

Bronnen

Intussen, in het leven van Aleksandr Rodchenko

Het hele leven
  1. 1920–1930

    Professor at VKhUTEMAS/VKhUTEIN

    For ten years Rodchenko teaches in the woodworking and metalworking faculties (merged into the Dermetfak in 1928), training students to design multifunctional objects for everyday life and public buildings, expressive through construction rather than ornament.

  2. 1922

    Works with Dziga Vertov

    Rodchenko works intensively with the filmmaker Dziga Vertov, whose ideas and practice deeply influenced him.

  3. 1923–1928

    LEF and Novy LEF with Mayakovsky

    From 1923 to 1928 Rodchenko works closely with Mayakovsky — photographing him several times and designing and laying out LEF and Novy LEF, the Constructivists' publications; many of his photographs serve as their covers.

  4. 1924

    Takes up photography

    From 1924 Rodchenko takes his own photographs, becoming famous for his experiments with angles and viewpoints. His credo: “I want to teach people to see extraordinarily ordinary things.”

  5. 1925

    Sent to Paris for the World Exhibition

    Appointed to the Soviet exhibition committee, Rodchenko is sent to Paris to design the Soviet pavilion, built to Konstantin Melnikov's plans.

  6. 1926

    First angled shots published in Sovetskoe Kino

    The magazine Sovetskoe Kino publishes his first angled shots of buildings — the series “The Building on Myasnitskaya” (1925) and “The Mosselprom Building” (1926). Rodchenko champions high and low viewpoints and a dynamic, documentary-precise view of the world.

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