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Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Untitled
Untitled, Aleksandr Rodchenko, 1928
Aleksandr Rodchenko, portretAleksandr RodchenkoRusland, 1891–1956

Untitled

1928 · Photograph

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1928 · op 37-jarige leeftijd
18911956
Inventarisnummer
332.1997

In de catalogus

Foto’sZilvergelatinedrukModernisme20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van Aleksandr Rodchenko

Het hele leven
  1. 1920–1930

    Professor at VKhUTEMAS/VKhUTEIN

    For ten years Rodchenko teaches in the woodworking and metalworking faculties (merged into the Dermetfak in 1928), training students to design multifunctional objects for everyday life and public buildings, expressive through construction rather than ornament.

  2. 1923–1928

    LEF and Novy LEF with Mayakovsky

    From 1923 to 1928 Rodchenko works closely with Mayakovsky — photographing him several times and designing and laying out LEF and Novy LEF, the Constructivists' publications; many of his photographs serve as their covers.

  3. 1926

    First angled shots published in Sovetskoe Kino

    The magazine Sovetskoe Kino publishes his first angled shots of buildings — the series “The Building on Myasnitskaya” (1925) and “The Mosselprom Building” (1926). Rodchenko champions high and low viewpoints and a dynamic, documentary-precise view of the world.

  4. 1928

    First accused of formalism

    The charge of “formalism” that would dog Rodchenko is first raised in 1928 in the pages of Sovetskoe Foto. By some accounts, that same year he joins the October group.

  5. 1928

    Polemical articles in Novy LEF

    Novy LEF publishes his articles “Gross Illiteracy or Petty Filth?” (No. 6) and “A Warning” (No. 11). In the first, as in the articles “The Paths of Modern Photography” and “Against the Synthetic Portrait, for the Snapshot”, he champions a dynamic, documentary-precise vision and shooting from high and low viewpoints.

  6. 18 mei 1929 – 7 juli 1929

    Took part in: Film und Foto

Meer van Aleksandr Rodchenko

Alle werken
Красное и желтое, Aleksandr Rodchenko, 1918 (?)

Красное и желтое

1918 (?) · Russisch Museum

Белый круг (Композиция №76), Aleksandr Rodchenko, 1918

Белый круг (Композиция №76)

1918 · Russisch Museum

Untitled, Aleksandr Rodchenko, c. 1930s

Untitled

c. 1930s · Niet te zien · Museum of Modern Art

Non-Objective Painting no. 80 (Black on Black), Aleksandr Rodchenko, 1918

Non-Objective Painting no. 80 (Black on Black)

1918 · Niet te zien · Museum of Modern Art

Untitled, Aleksandr Rodchenko, 1919

Untitled

1919 · Niet te zien · National Gallery of Art

Non-Objective Painting, Aleksandr Rodchenko, 1919

Non-Objective Painting

1919 · Niet te zien · Museum of Modern Art

Toft, Aleksandr Rodchenko, 1919

Toft

1919 · Niet te zien · Museum of Modern Art

Composition, Aleksandr Rodchenko, 1919

Composition

1919 · Niet te zien · Museum of Modern Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950