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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Riverside Drive, New York
Riverside Drive, New York, André Kertész, 1944, printed 1970s
André Kertész, portretAndré KertészVerenigde Staten, 1894–1985

Riverside Drive, New York

1944, printed 1970s · Photograph

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1944, printed 1970s · op 50-jarige leeftijd
18941985
Inventarisnummer
1983.949

Wat het toont

Cityscape

In de catalogus

Foto’sZilvergelatinedrukModernisme20e eeuwVerenigde Staten

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — © the artist or rights holder

Intussen, in het leven van André Kertész

Het hele leven
  1. 3 February 1944

    Becomes a US citizen

    Elizabeth becomes a US citizen on 20 January and Kertész is naturalized on 3 February 1944; despite competition from photographers such as Irving Penn he regains commissioned work: he is omitted from the list of 63 photographers Vogue identifies as significant in its “photographic genealogical tree”, but House and Garden commissions him to photograph a Christmas issue.

  2. June 1944

    Declines to teach at the New Bauhaus

    László Moholy-Nagy, director of the New Bauhaus – American School of Design, offers him a position teaching photography; despite the honour, Kertész turns it down.

  3. 1945

    “Day of Paris” is published

    He releases a new book, Day of Paris, made up of photographs taken just before his emigration from France; it gains critical success.

  4. 1946

    A solo exhibition at the Art Institute of Chicago

    A solo exhibition at the Art Institute of Chicago features photographs from his Day of Paris series; Kertész later calls it one of his greatest times in the United States and says it was the first time he felt he received positive reviews.

  5. 1946

    A long-term contract with House & Garden

    With his wife’s cosmetic business booming, Kertész agrees to a long-term exclusive contract with House and Garden; it restricts his editorial freedom and requires many hours in the studio, but the pay of at least US$10,000 a year is satisfactory and his negatives are returned within six months. During 1945–62 the magazine publishes more than 3,000 of his photographs, but with little time for personal work he feels starved of artistic creativity.

Meer van André Kertész

Alle werken
Promenade, André Kertész, 1962

Promenade

1962 · Museum of Modern Art

Riverbank, André Kertész, 1920s

Riverbank

1920s · Niet te zien · National Gallery of Art

Street Scene, André Kertész, early 1920s

Street Scene

early 1920s · Niet te zien · National Gallery of Art

Self-Portrait as Woman with Unknown Man and Women, André Kertész, early 1920s

Self-Portrait as Woman with Unknown Man and Women

early 1920s · Niet te zien · National Gallery of Art

Self-Portrait as Woman, André Kertész, early 1920s

Self-Portrait as Woman

early 1920s · Niet te zien · National Gallery of Art

City Park, André Kertész, early 1920s

City Park

early 1920s · Niet te zien · National Gallery of Art

Sleeping Boy, André Kertész, 1912

Sleeping Boy

1912 · Niet te zien · National Gallery of Art

Bocskay-tér, Budapest, André Kertész, 1914

Bocskay-tér, Budapest

1914 · Niet te zien · Museum of Modern Art

Buren in huis: Art Institute of Chicago

Museumpagina
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942