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StartpaginaKaartCatalogus
  1. Collectie/
  2. Metropolitan Museum of Art/
  3. Reclining Naiad
Reclining Naiad, Antonio Canova, 1819–24
Antonio Canova, portretAntonio CanovaItalië, 1757–1822

Reclining Naiad

1819–24 · Sculpture-Marble

Mag men het zien?

Ja, het ontvangt bezoek

Metropolitan Museum of Art

New York, Verenigde Staten

Zaal515

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
eergisteren
Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1819–24 · op 62-jarige leeftijd
17571822
Inventarisnummer
1970.1

Wat het toont

Female Nudes

In de catalogus

BeeldhouwkunstMarmerNeoclassicismeRomantiek19e eeuw

Bronnen

  • Metropolitan Museum of Art
  • Afbeelding: Metropolitan Museum of Art — Open Access (CC0)

Intussen, in het leven van Antonio Canova

Het hele leven
  1. 1791–1818

    Honorary member of many academies in Europe and America

    Canova was elected an honorary member of many academies: Florence (1791), Stockholm (1796), Verona (1803), Venice (1804), Siena (1805), Lucca (1806), St Petersburg (1804), Geneva (1804), Denmark (1805), Graz (1812), Marseille (1813), Monaco (1814), New York (1817), Antwerp and Vilnius (1818), and also Philadelphia.

  2. 1818

    The people of Possagno ask him to repair their church

    In 1818 the people of Possagno persuaded Canova to repair the old parish church; the sculptor later decided instead to build a new one at his own expense and to his own design, circular in plan with a pronaos modelled on the Pantheon in Rome.

  3. 11 July 1819

    Lays the foundation stone of his own temple in Possagno

    After his 1814 proposal for a statue of Religion in St Peter’s was rejected, Canova resolved to build his own temple: he designed and financed the building himself and partly built it, combining the Parthenon and the Pantheon. On 11 July 1819 he laid the foundation stone, dressed in a red papal uniform and wearing all his medals, and afterwards visited Possagno every autumn to direct the workmen.

Meer van Antonio Canova

Alle werken
Perseus with the Head of Medusa, Antonio Canova, 1804–6

Perseus with the Head of Medusa

1804–6 · Metropolitan Museum of Art

L'Amour et Psyché à demi couchée, Canova, Antonio, 1787 - 1793

Amor en Psyche

1787 - 1793 · Louvre

Cupid and Psyche, Antonio Canova, 1794

Cupid and Psyche

1794 · Metropolitan Museum of Art

Winged Victory, Antonio Canova, after the Antique, c. 1803/1806

Winged Victory

c. 1803/1806 · National Gallery of Art

Dancer with Finger on Chin, Antonio Canova, model 1809/1814, carved 1819/1823

Dancer with Finger on Chin

model 1809/1814, carved 1819/1823 · National Gallery of Art

Venus Italica, Antonio Canova, probably ca. 1822–23, variant of marble first executed 1810

Venus Italica

probably ca. 1822–23, variant of marble first executed 1810 · Metropolitan Museum of Art

Paris, Antonio Canova, ca. 1822–23, original marble version completed November 1812

Paris

ca. 1822–23, original marble version completed November 1812 · Metropolitan Museum of Art

Naiad, Antonio Canova, model 1815/1817, carved 1820/1823

Naiad

model 1815/1817, carved 1820/1823 · National Gallery of Art

Buren in huis: Metropolitan Museum of Art

Museumpagina
Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Vrouw met waterkan, ca. 1662

Self-Portrait, Rembrandt van Rijn, 1660

Rembrandt van Rijn

Self-Portrait, 1660

Irises, Vincent van Gogh, 1890

Vincent van Gogh

Irises, 1890

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Vincent van Gogh

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887

Bridge over a Pond of Water Lilies, Claude Monet, 1899

Claude Monet

Bridge over a Pond of Water Lilies, 1899

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871