Rear Guard, José Clemente Orozco, 1928
José Clemente Orozco, portretJosé Clemente OrozcoMexico, 1883–1949

Rear Guard

1928 · Print

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

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Gegevens

Inventarisnummer
1947.839

In de catalogus

Bronnen

Intussen, in het leven van José Clemente Orozco

Het hele leven
  1. 1926

    Back at the school: repainting what was destroyed

    His early panels caused serious political conflict and made Orozco stop work, as Siqueiros did; in 1926, under a new wave of social change, he returns to the school and finishes what he had begun. Some of the murals had been destroyed by Orozco himself and others vandalised by conservative students, so he had to repaint many of them.

  2. 1927–1934

    The United States: “artist in residence” at colleges

    In 1927–1934 Orozco again lives in the United States, working at colleges as an “artist in residence”: the master lives on the school’s campus while painting a mural and involves students in his work.

  3. 1930

    Edward Weston photographs Orozco

    In 1930 Edward Weston makes a portrait of Orozco, which was the artist’s own favourite; Weston considered it one of his finest portraits.

Alle werken

Buren in huis: Art Institute of Chicago

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