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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. Morning (Der Morgen)
Morning (Der Morgen), Max Beckmann, 1946
Max Beckmann, portretMax BeckmannDuitsland, 1884–1950

Morning (Der Morgen)

1946 · Portfolio

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1946 · op 62-jarige leeftijd
18841950
Inventarisnummer
1984.64.78

Wat het toont

Courtship

In de catalogus

PrentenLithografieNaoorlogse kunst20e eeuwGerman

Bronnen

  • National Gallery of Art
  • Afbeelding: National Gallery of Art — © the artist or rights holder

Intussen, in het leven van Max Beckmann

Het hele leven
  1. 1937–1947

    Ten years of exile in Amsterdam

    Beckmann lives in Amsterdam in self-imposed exile, making desperate but failed attempts to obtain a visa for the United States.

  2. 1944

    The threat of conscription and a heart attack

    In 1944 the Germans try to draft the sixty-year-old Beckmann into the army, although he has suffered a heart attack; he barely escapes mobilisation.

  3. 1947

    Moving to the United States to teach in St. Louis

    In 1947 Beckmann and his wife finally cross the ocean: at the invitation of Perry T. Rathbone, director of the Saint Louis Art Museum, he takes a teaching post at the St. Louis School of Fine Arts at Washington University, a vacancy left by Philip Guston, who had taken a leave.

  4. 1947–1949

    Morton May: patron and student

    In St. Louis Morton D. May, an avid amateur photographer and painter, becomes Beckmann's patron and student; the artist also helps him learn to appreciate Oceanian and African art.

  5. 1948

    The first retrospective in the United States

    The first Beckmann retrospective in the United States takes place in 1948 at the City Art Museum in St. Louis.

  6. 1948

    “Letters to a Woman Painter”

    Beckmann's “Letters to a Woman Painter” (1948) provides a statement of his approach to art.

Meer van Max Beckmann

Alle werken
Blind Man's Buff, Max Beckmann, 1945

Blind Man's Buff

1945 · Minneapolis Institute of Art

The Beginning, Max Beckmann, 1946–49

The Beginning

1946–49 · Metropolitan Museum of Art

Family Picture, Max Beckmann, Frankfurt 1920

Family Picture

Frankfurt 1920 · Museum of Modern Art

Self-Portrait with a Cigarette, Max Beckmann, Frankfurt 1923

Self-Portrait with a Cigarette

Frankfurt 1923 · Museum of Modern Art

The Old Actress, Max Beckmann, 1926

The Old Actress

1926 · Metropolitan Museum of Art

The Skaters, Max Beckmann, 1932

The Skaters

1932 · Minneapolis Institute of Art

Bathing Scene (The Green Cloak), Max Beckmann, 1934

Bathing Scene (The Green Cloak)

1934 · National Gallery of Art

Self-Portrait, Max Beckmann, 1936 (cast 1951)

Self-Portrait

1936 (cast 1951) · Museum of Modern Art

Buren in huis: National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888