ART WIKI32.963 te zien
KaartCollectieKunstenaarsMuseaTentoonstellingenJournal
Inloggen

ART WIKI

Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

Rubrieken

  • Kaart
  • Zoeken
  • Collectie
  • Meesterwerken
  • Nu te zien
  • Kunstenaars

Meer

  • Musea & galerieën
  • Tentoonstellingen
  • Journal
  • Waar de gegevens vandaan komen
  • Privacy & cookies
StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Harvest Talk
Harvest Talk, Charles White, 1953
Charles White, portretCharles WhiteVerenigde Staten, 1918–1979

Harvest Talk

1953 · Drawing and Watercolor

Over het werk

Charles White is recognized for the richness of his graphic work and his paintings, which typically depict aspects of the history, culture, and life of African Americans. A native of Chicago, White attended the School of the Art Institute, the Art Students League of New York, and later the Taller de Gráfica Popular in Mexico. Beginning in 1939, he was employed by the Federal Art Project of the Works Progress Administration.

Verder lezen

White’s father was a railroad and steel worker and his mother was a domestic worker; this inspired in White a deep respect for labor. Harvest Talk, one of six charcoal and carbon pencil drawings originally exhibited at ACA Galleries in New York in 1953, exemplifies the artist’s mature drawing style. Here his strong, assured manner, coupled with the heroic proportions of the figures and the emphasis on the large scythe (an emblem often associated with the Soviet Union)—as well as the social realist sensibilities that prevail throughout his oeuvre, his travels to the Soviet Union, and his writings for and affiliation with left-wing publications such as Masses and Mainstream, Freedomways, and the Daily Worker—suggest that Harvest Talk was inspired by socialist ideals. Like many of White’s works on paper, it conveys the power of a mural despite its relatively small format.

Art Institute of Chicago · CC BY 4.0

Gegevens

1953 · op 35-jarige leeftijd
19181979
Inventarisnummer
1991.126

Meer van Charles White

Alle werken

Buren in huis: Art Institute of Chicago

Museumpagina

Over hetzelfde thema · Labor

Alle werken over dit thema

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Wat het toont

LaborWorkFarm lifeAfrican AmericanChicago

In de catalogus

Tekeningen & aquarellenHoutskoolNaoorlogse kunst20e eeuwVerenigde Staten

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — © the artist or rights holder
Flowers and Birds, Charles White, 1772

Flowers and Birds

1772 · Hermitage

This, My Brother, Charles White, 1942

This, My Brother

1942 · Art Institute of Chicago

Untitled (Seated Woman), Charles White, c. 1939

Untitled (Seated Woman)

c. 1939 · Niet te zien · Museum of Modern Art

Awaiting His Return, Charles White, 1945

Awaiting His Return

1945 · Niet te zien · National Gallery of Art

Hope for the Future, Charles White, 1945

Hope for the Future

1945 · Niet te zien · Museum of Modern Art

We Have Been Believers, Charles White, 1949

We Have Been Believers

1949 · Niet te zien · National Gallery of Art

Untitled (Bearded Man), Charles White, c. 1949

Untitled (Bearded Man)

c. 1949 · Niet te zien · Museum of Modern Art

I Accuse, Charles White, c. 1950

I Accuse

c. 1950 · Niet te zien · National Gallery of Art

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Carrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986., Allen Ginsberg, 1986

Allen Ginsberg

Carrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986., 1986

Niet te zien · National Gallery of Art

Paysanne bêchant (Peasant Laboring), Camille Pissarro, 1890

Camille Jacob Pissarro

Paysanne bêchant (Peasant Laboring), 1890

Niet te zien · National Gallery of Art

Brasil, Sebastião Salgado, 1985

Sebastião Salgado

Brasil, 1985

Niet te zien · National Gallery of Art

Greater Burhan Oil Field, Kuwait (Capping a Wellhead), Sebastião Salgado, 1991

Sebastião Salgado

Greater Burhan Oil Field, Kuwait (Capping a Wellhead), 1991

Niet te zien · National Gallery of Art

Transporting Bags of Dirt in the Serra Pelada Gold Mine, Brazil, Sebastião Salgado, 1986

Sebastião Salgado

Transporting Bags of Dirt in the Serra Pelada Gold Mine, Brazil, 1986

Niet te zien · National Gallery of Art

This man is a labor contractor in the pea fields of California. "One-Eye" Charlie gives his views. "I'm making my living off of these people (migrant laborers) so I know the conditions," San Luis Obispo County, California, Dorothea Lange, February 1936

Dorothea Lange

This man is a labor contractor in the pea fields of California. "One-Eye" Charlie gives his views. "I'm making my living off of these people (migrant laborers) so I know the conditions," San Luis Obispo County, California, February 1936

Niet te zien · National Gallery of Art

Calipatra (vicinity), California. Native of Indiana in a migratory labor contractor's camp. "It's root hog or die for us folks.", Dorothea Lange, February 1937

Dorothea Lange

Calipatra (vicinity), California. Native of Indiana in a migratory labor contractor's camp. "It's root hog or die for us folks.", February 1937

Niet te zien · National Gallery of Art

Farm Security Administration camp for migrant agricultural workers at Shafter, California, Dorothea Lange, June 1938

Dorothea Lange

Farm Security Administration camp for migrant agricultural workers at Shafter, California, June 1938

Niet te zien · National Gallery of Art