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Flirt, Félicien Rops, 1894
Félicien Rops, portretFélicien RopsFrankrijk, 1833–1898

Flirt

1894 · Print

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
eergisteren
Ongewijzigd sinds
19 aug 2026
Bron
De eigen collectiegegevens van het museum
Op de kaartMuseumpagina

Gegevens

1894 · op 61-jarige leeftijd
18331898
Inventarisnummer
1927.5278

In de catalogus

PrentenEtsImpressionisme19e eeuwBelgië

Bronnen

  • Art Institute of Chicago: de open data van het museum · opgehaald 8 dagen geleden
  • Afbeelding: Art Institute of Chicago — CC0

Intussen, in het leven van Félicien Rops

Het hele leven
  1. 1871–1898

    Travels across Europe and North Africa

    During his Paris years Rops travels extensively throughout Europe — from capital cities and art centres to salmon fishing in Norway and Sweden and ventures into the Hungarian back country — and also to Spain and North Africa.

  2. April 1892

    An accident with bichlorate of potassium

    In late April 1892, busy with an engraving, Rops accidentally gets bichlorate of potassium in his eye and would undoubtedly have lost his sight without the intervention of the ophthalmologist Georges Camuset, an acquaintance; by some accounts his sight is greatly impaired afterwards, by others it eventually recovers.

  3. 1895–1896

    Frontispieces for Mallarmé and Verlaine

    For Stéphane Mallarmé’s “Poésies” Rops creates the frontispiece “The Lyre” (1895), and for Paul Verlaine’s “Chair” (“Flesh”) the frontispiece “Parallelism” (1896).

  4. 15 June 1896

    The review “La Plume” devotes an issue to Rops

    The literary review “La Plume” publishes a special tribute issue (no. 172) devoted exclusively to Rops, in which Puvis de Chavannes, Huysmans, Octave Mirbeau, Joséphin Péladan and José-Maria de Heredia praise his work; the illustrations to “Les Diaboliques” and the “Les Sataniques” series are singled out.

  5. July 1896

    A will in favour of the Duluc sisters

    Anticipating legal challenges from his estranged wife Charlotte, his son Paul and his judge father-in-law, and with his health slowly deteriorating, Rops leaves everything to the Duluc sisters; later, on a doctor’s orders, he spends some time in the south of France, but it brings little relief. The disputes do arise: the sisters successfully resist Paul’s attempts to remove his father from their care, and compromises are reached on other matters.

Meer van Félicien Rops

Alle werken
Oude-Kate, Félicien Rops

Oude-Kate

Niet te zien · National Gallery of Art

Satan Sowing Tare (Satan semant l'ivraie), Félicien Rops

Satan Sowing Tare (Satan semant l'ivraie)

Niet te zien · National Gallery of Art

The Train of Maris (Le train de Maris), Félicien Rops

The Train of Maris (Le train de Maris)

Niet te zien · National Gallery of Art

Le Rydeack, Félicien Rops

Le Rydeack

Niet te zien · National Gallery of Art

The Little Potato Peeler (La petite peleuse de pommes de terre), Félicien Rops

The Little Potato Peeler (La petite peleuse de pommes de terre)

Niet te zien · National Gallery of Art

The Sparrow of Lesbie (Le moineau de Lesbie), Félicien Rops

The Sparrow of Lesbie (Le moineau de Lesbie)

Niet te zien · National Gallery of Art

The Falconer (La fauconniere), Félicien Rops

The Falconer (La fauconniere)

Niet te zien · National Gallery of Art

Die Absinthtrinkerin, Félicien Rops

Die Absinthtrinkerin

Albertina

Buren in huis: Art Institute of Chicago

Museumpagina
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942