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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Dymaxion Car, Plan
Dymaxion Car, Plan, Richard Buckminster Fuller, 1933
R. Buckminster Fuller, portretR. Buckminster FullerVerenigde Staten, 1895–1983

Dymaxion Car, Plan

1933 · Architectural Drawing

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Over het werk

Trained in engineering, Buckminster Fuller made significant contributions to disciplines including architecture, industrial design, philosophy, and social science. Central to all his endeavors was a holistic understanding of the universe and a desire to use science and technology in a sustainable manner to better serve mankind and the planet. Fuller coined the term dymaxion to label his inventions that applied available technology to provide the greatest possible efficiency. In 1927 he began investigating designs that would revolutionize transportation. Fuller used existing automotive parts and boat and airplane technology to design the Dymaxion Car, which debuted to an awed public at the 1933 Century of Progress Exposition in Chicago.

Verder lezen

The aerodynamic bullet shape and lightweight aluminum chassis enabled the car to reach speeds of 120 miles per hour, and consumed thirty miles per gallon. The three-wheeled vehicle had exceptional maneuverability due to its rear-wheel drivetrain. Fuller refined the design in the 1940s, but a prototype proved prohibitively expensive to manufacture. Although considered too radical to mass-produce at the time, Fuller’s Dymaxion Car presaged many features considered standard in today’s automobiles.

Art Institute of Chicago · CC BY 4.0

Gegevens

1933 · op 38-jarige leeftijd
18951983
Inventarisnummer
1990.167.2

In de catalogus

Modernisme20e eeuwVerenigde Staten

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — © the artist or rights holder

Meer van R. Buckminster Fuller

Alle werken
A Minimum Dymaxion Home project (Elevation, axonometric, and plan), R. Buckminster Fuller, 1927

A Minimum Dymaxion Home project (Elevation, axonometric, and plan)

1927 · Niet te zien · Museum of Modern Art

Dymaxion House project (Plan, deck-tensioning pattern), R. Buckminster Fuller, 1927-29

Dymaxion House project (Plan, deck-tensioning pattern)

1927-29 · Niet te zien · Museum of Modern Art

Dymaxion House project (Plan), R. Buckminster Fuller, c. 1927

Dymaxion House project (Plan)

c. 1927 · Niet te zien · Museum of Modern Art

Proposed Dymaxion Hanging Restaurant for Romany Marie, project, Sketch, R. Buckminster Fuller, 1929

Proposed Dymaxion Hanging Restaurant for Romany Marie, project, Sketch

1929 · Niet te zien · Museum of Modern Art

A Dymaxion Home project (Elevation, axonometric, and plan), R. Buckminster Fuller, c. 1930

A Dymaxion Home project (Elevation, axonometric, and plan)

c. 1930 · Niet te zien · Museum of Modern Art

Dymaxion House, project (Perspective), R. Buckminster Fuller, 1930

Dymaxion House, project (Perspective)

1930 · Niet te zien · Museum of Modern Art

Dymaxion Dwelling Machine, Wichita, Kansas, R. Buckminster Fuller, 1944–1946

Dymaxion Dwelling Machine, Wichita, Kansas

1944–1946 · Niet te zien · Museum of Modern Art

Dymaxion Dwelling Machine project, Wichita House (Study for air circulation: plan and sections), R. Buckminster Fuller, 1945

Dymaxion Dwelling Machine project, Wichita House (Study for air circulation: plan and sections)

1945 · Niet te zien · Museum of Modern Art

Buren in huis: Art Institute of Chicago

Museumpagina
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Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

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Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

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The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942