Franz MarcDuitsland, 1880–1916Die Hirtin
Mag men het zien?
Onbekend
Österreichische Galerie Belvedere
Wenen, Oostenrijk
De eigenaar is bekend; of het werk nu te zien is, is onbekend.
- Ongewijzigd sinds
- Bron
- Het museum
Over het werk
In de woorden van het museum — in het Duits
Titelseite der Zeitschrift ""Der Sturm"", Wochenschrift für Kultur und Künste, hgg. von Herwarth Walden, Berlin, Verlag der Sturm, 3. (eigentl. 4.) Jg., Januar 1913, Nr.144/145
Österreichische Galerie Belvedere
Gegevens
In de catalogus
Bronnen
- Österreichische Galerie Belvedere
- Afbeelding: Österreichische Galerie Belvedere — CC BY-SA 4.0
Intussen, in het leven van Franz Marc
Het hele levenwinter 1910 – 1911
Winter 1910–11: the turn to his mature manner
In the view of the writer Morgan Meis, Marc became an artist this very winter: out of earlier confusion comes a unified vision, his animals emerge pure and true from the canvas, and colour becomes the main thing.
February 1911
Meeting Wassily Kandinsky
Although Marc joined the association in autumn 1910, he meets its leader, the Russian abstract painter Wassily Kandinsky, only in February 1911.
December 1911
Leaving the NKVM and founding Der Blaue Reiter
In December 1911 Marc, together with Macke and Kandinsky, breaks away from the Neue Künstlervereinigung and organises his own group, Der Blaue Reiter; he is also credited with founding the journal that became the centre of the circle.
December 1911 – January 1912
The first Blue Rider exhibition
Several of Marc's works are shown at the first Blue Rider exhibition at the Thannhauser Galleries in Munich, which has been called the apex of German Expressionism.
1913
Married: Maria Marc
1914
Called up at the start of the First World War
At the outbreak of war in 1914 Marc, like August Macke, is mobilised and sent to the front; early biographers thought he had volunteered, but conscription was practically impossible to avoid.
