Verenigde Staten, Duitsland · 1893–1959
Grosz, George
George Grosz, geboren als Georg Ehrenfried Groß, was een Duitse schilder en graficus.
Waar Grosz, George te zien is
The Poet Max Herrmann-Neisse
1927 · Museum of Modern Art
Self-Portrait with a Model
1928 · Museum of Modern Art
A Woman Walking to the Left
Niet te zien · National Gallery of Art
Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)
1911 · Niet te zien · Museum of Modern Art
Studies of a Male Nude
1912 · Niet te zien · National Gallery of Art
![The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913](https://www.moma.org/media/W1siZiIsIjEyMTkwNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=864379f3ce59af36)
The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]
1913 · Niet te zien · Museum of Modern Art
The Spider (Die Spinne)
1914 · Niet te zien · National Gallery of Art
The Spider (Die Spinne)
1914 · Niet te zien · National Gallery of Art
Den of Iniquity (Lasterhöhle)
1914 · Niet te zien · Museum of Modern Art
Spider (Die Spinne)
1914 · Niet te zien · Museum of Modern Art
Suburb (Vorstadt)
1915/1916 · Niet te zien · National Gallery of Art
Attack (Attentat)
1915 · Niet te zien · National Gallery of Art
Moonlight Night (Mondnacht)
1915-1916 · Niet te zien · National Gallery of Art
Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
Melancholie (plate, folio 31) from Ecce Homo
1922–23 (original executed in 1915) · Niet te zien · Museum of Modern Art
Attack (Attentat)
1915 · Niet te zien · Museum of Modern Art
Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
Eheszene (plate, folio 77) from Ecce Homo
1922–23 (original executed in 1915) · Niet te zien · Museum of Modern Art
Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
Interieur (plate, folio 48) from Ecce Homo
1922–23 (original executed in 1915) · Niet te zien · Museum of Modern Art
Akrobaten (plate, folio 62) from Ecce Homo
1922–23 (original executed in 1915) · Niet te zien · Museum of Modern Art
Air Attack (Fliegerbombe)
1915 · Niet te zien · Museum of Modern Art
Lady with a Veil (Schleierdame)
1915 · Niet te zien · Museum of Modern Art
Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
Murder (Mord) from the illustrated book Ecce Homo
1915–16, published 1922–23 · Niet te zien · Museum of Modern Art
Ecce Homo
1915–22, published 1922–23 · Niet te zien · Museum of Modern Art
Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
Two Men (Zwei Männer)
1915–16, dated 1916 · Niet te zien · Museum of Modern Art
Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Niet te zien · Museum of Modern Art
Murder in the Ackerstrasse (Mord in der Ackerstrasse)
1916/1917 · Niet te zien · National Gallery of Art
Quergebäude vier Treppen (plate, folio 61) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
Ach, knallige Welt, du seliges Abnormitätenkabinett (plate, folio 86) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
Familie (plate, folio 4) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
Mord (plate, folio 16) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
Niederkunft (plate, folio 38) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
Lustmord in der Ackerstraße (plate, folio 40) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
The First George Grosz Portfolio (Erste George Grosz-Mappe)
1916–17 · Niet te zien · Museum of Modern Art
Apachen (plate, folio 71) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1916, published 1916–17 · Niet te zien · Museum of Modern Art
Family (Familie) from the illustrated book Ecce Homo
1916, published 1922–23 · Niet te zien · Museum of Modern Art
Café (plate, folio 51) from Ecce Homo
1922–23 (original executed in 1916) · Niet te zien · Museum of Modern Art
Whisky (plate, folio 15) from Ecce Homo
1922–23 (original executed in 1917) · Niet te zien · Museum of Modern Art
Franz Jung gewidmet (plate, folio 57) from Ecce Homo
1922–23 (original executed in 1917) · Niet te zien · Museum of Modern Art
Des Ende (plate, folio 101) from Ecce Homo
1922–23 (original executed in 1917) · Niet te zien · Museum of Modern Art
Explosion
1917 · Niet te zien · Museum of Modern Art
Vorstadt (plate, folio 89) from Ecce Homo
1922–23 (original executed in 1917) · Niet te zien · Museum of Modern Art
The Christmas Brothers
1917 · Niet te zien · Museum of Modern Art
Metropolis (Grossstadt)
1917 · Niet te zien · Museum of Modern Art
Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse)
1918 · Niet te zien · National Gallery of Art
Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Grimmiger Mann (plate, folio 6) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Eva (plate, folio 63) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Dr. Benn's Nachtcafé (plate, folio 96) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Schönheitsabend in der Motzstraße (plate, folio 10) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Johannisnacht (plate, folio 60) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Friedrichstraße (plate, folio 3) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Der Mädchenhändler (plate, folio 50) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
Fit for Active Service (Kriegsverwendungsfähig)
1918 · Niet te zien · Museum of Modern Art
German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns)
1918, published 1920 · Niet te zien · Museum of Modern Art
Der absolute Monarchist (plate, folio 43) from Ecce Homo
1922–23 (original executed in 1918) · Niet te zien · Museum of Modern Art
World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo
1918, published 1922–23 · Niet te zien · Museum of Modern Art
The Neighbor's Daughter or Spring Fever (Nachbars Lenchen oder Frühlings Erwachen)
1919 · Niet te zien · National Gallery of Art
The Convict (Der Zuchthäusler)
1919 · Niet te zien · National Gallery of Art
The End of the Day
c. 1919 · Niet te zien · Museum of Modern Art
Marseille (plate, folio 8) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Trio (plate, folio 90) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
Louise (plate, folio 25) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Stammtischstudien (plate, folio 13) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
Ledebour (plate, folio 67) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
Schwere Zeiten (plate, folio 34) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Hausherr (plate, folio 36) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Nachts (plate, folio 42) from Ecce Homo
1922–23 (original executed in 1919) · Niet te zien · Museum of Modern Art
Cover from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Niet te zien · Museum of Modern Art
![In The Drawing Room [The Art Critics], George Grosz, late 1920s](https://api.nga.gov/iiif/4ab386b6-bf31-4ce2-8d4f-dffa98ae7480/full/!2400,2400/0/default.jpg)
In The Drawing Room [The Art Critics]
late 1920s · Niet te zien · National Gallery of Art
Out of Work (Arbeitslose)
1920/1921 · Niet te zien · National Gallery of Art
Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
1920 · Niet te zien · National Gallery of Art
"Under my rule it shall be brought to pass, that potatoes and small-beer shall be con sidered a holiday treat; and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery I will clothe ye."("In meinem Gebiet soll's soweit kommen, das Kartoffeln und Dünnbier ein Traktament für Festtage werden, und wehe dem, der mir mit vollen feurigen Backen unter die Augen tritt! Blässe der Armut und sklavische Furcht sind meine Leibf arbe; in diese Livrei will ich euch kleiden.")
1920/1921 · Niet te zien · National Gallery of Art
Inflation from In the Shadows (Im Schatten)
c. 1920, published 1921 · Niet te zien · Museum of Modern Art
Die Verantwortlichen (plate, folio 29) from Ecce Homo
1922–23 (original executed in 1920) · Niet te zien · Museum of Modern Art
Bürgerliche Welt (plate, folio 23) from Ecce Homo
1922–23 (original executed in 1920) · Niet te zien · Museum of Modern Art
Title page from In the Shadows (Im Schatten)
c. 1920, published 1921 · Niet te zien · Museum of Modern Art
Matchseller and Patrol from In the Shadows (Im Schatten)
c. 1920, published 1921 · Niet te zien · Museum of Modern Art
War Invalid and Workers from In the Shadows (Im Schatten)
c. 1920, published 1921 · Niet te zien · Museum of Modern Art
Dr. Huelsenbeck am Ende (plate, folio 49) from Ecce Homo
1922–23 (original executed in 1920) · Niet te zien · Museum of Modern Art
"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)
1920 · Niet te zien · Museum of Modern Art
He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
1920 · Niet te zien · Museum of Modern Art
Gruß aus Sachsen (plate, folio 7) from Ecce Homo
1922–23 (original executed in 1920) · Niet te zien · Museum of Modern Art