ART WIKI 32.963 te zien

Kaart Collectie Kunstenaars Musea Tentoonstellingen Journal

ART WIKI

Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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Startpagina Kaart Catalogus

Kunstenaars
Donna Ferrato

Verenigde Staten · 1949–

Donna Ferrato

43in de catalogus
0nu te zien
2collecties
1land

Werken Leven Kaart

Alle Te zien In collecties Onbekend

It's 3:00 a.m. No way to sleep. Imaginary bedbugs chewing at me. The air is oppressive, like being buried alive. The cries of asthmatic children sniffling, screaming, sleep-talking keeps me on edge. In semi-darkness I wander among the beds, seeing mothers wrapped around their babies, like bears in hibernation. In one lower bunk, I find an exhausted mother, Pam, rocking her wailing week-old daughter. Pams face glows with inner peace. She is one of the lucky ones. She escaped an abusive relationship and found shelter here. Olive Branch Mission, Chicago., Donna Ferrato, 1999

It's 3:00 a.m. No way to sleep. Imaginary bedbugs chewing at me. The air is oppressive, like being buried alive. The cries of asthmatic children sniffling, screaming, sleep-talking keeps me on edge. In semi-darkness I wander among the beds, seeing mothers wrapped around their babies, like bears in hibernation. In one lower bunk, I find an exhausted mother, Pam, rocking her wailing week-old daughter. Pams face glows with inner peace. She is one of the lucky ones. She escaped an abusive relationship and found shelter here. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

At 5:45 a.m.Tuesday morning, Margie sprints out of bed to wash and dress herself for her second day of job training at CARA in downtown Chicago. Olive Branch Mission, Chicago., Donna Ferrato, 1999

At 5:45 a.m.Tuesday morning, Margie sprints out of bed to wash and dress herself for her second day of job training at CARA in downtown Chicago. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

7:00 A.M.: Margie rides the train to her job-training class in downtown Chicago. Accompanying her is Cherilyn, a resident at the Olive Branch who recently found a job as a home-care worker., Donna Ferrato, 1999

7:00 A.M.: Margie rides the train to her job-training class in downtown Chicago. Accompanying her is Cherilyn, a resident at the Olive Branch who recently found a job as a home-care worker.

1999 · Niet te zien · National Gallery of Art

A young woman holds her baby brother high. Olive Branch Mission, Chicago., Donna Ferrato, 1999

A young woman holds her baby brother high. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

All the other mothers loved Margie, who gave kids free professional haircuts every night. Hopefully, with luck and hard work, her positive attitude will take her far up and away from homelessness. Olive Branch Mission, Chicago., Donna Ferrato, 1999

All the other mothers loved Margie, who gave kids free professional haircuts every night. Hopefully, with luck and hard work, her positive attitude will take her far up and away from homelessness. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

In the CARA job-training program, Margie is hungry for knowledge and eager to participate in her studies. She takes copious notes and never hesitates to ask questions. I can see her sense of self-worth returning. I was lucky to meet Margie at a time when she was ready to take control over her life. I spent time riding with her to CARA, and met many people in the same situation. I realize now that being homeless is nothing like the fantasy sleeping on the street, wearing shabby clothes, begging for money. The homeless people I met looked just like me., Donna Ferrato, 1999

In the CARA job-training program, Margie is hungry for knowledge and eager to participate in her studies. She takes copious notes and never hesitates to ask questions. I can see her sense of self-worth returning. I was lucky to meet Margie at a time when she was ready to take control over her life. I spent time riding with her to CARA, and met many people in the same situation. I realize now that being homeless is nothing like the fantasy sleeping on the street, wearing shabby clothes, begging for money. The homeless people I met looked just like me.

1999 · Niet te zien · National Gallery of Art

Margie's son, Jamont, 9, watches from his perch on a bunk bed as his mother chooses a dress for her job-training class. In the United States an alarming number of children are homeless. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Margie's son, Jamont, 9, watches from his perch on a bunk bed as his mother chooses a dress for her job-training class. In the United States an alarming number of children are homeless. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

The Olive Branch is a dark, oppressive space, but it gets the message across to the women who stay there that the solutions to their problems are in their own hands. Ignoring distractions, Margie finishes her homework for job-training class. Olive Branch Mission, Chicago., Donna Ferrato, 1999

The Olive Branch is a dark, oppressive space, but it gets the message across to the women who stay there that the solutions to their problems are in their own hands. Ignoring distractions, Margie finishes her homework for job-training class. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

I rarely saw kids in the shelter play. Shelter life is a serious game. This baby waits anxiously for his mama to take him to bed. Olive Branch Mission, Chicago., Donna Ferrato, 1999

I rarely saw kids in the shelter play. Shelter life is a serious game. This baby waits anxiously for his mama to take him to bed. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

Sunday morning, Margie demonstrates the love and affection she has for her son, Pierre. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Sunday morning, Margie demonstrates the love and affection she has for her son, Pierre. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

The bathroom at the mission is dreary at best, with holes in the walls and floor, peeling lead paint, no toilet paper, showers without handles. Mothers nevertheless keep their children scrupulously clean, singing praise to God. Here, Renee cleans her daughters face with plenty of elbow grease. Olive Branch Mission, Chicago., Donna Ferrato, 1999

The bathroom at the mission is dreary at best, with holes in the walls and floor, peeling lead paint, no toilet paper, showers without handles. Mothers nevertheless keep their children scrupulously clean, singing praise to God. Here, Renee cleans her daughters face with plenty of elbow grease. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

Boys in the shelter hug Pierre Garrett after a tearful confrontation with his mother. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Boys in the shelter hug Pierre Garrett after a tearful confrontation with his mother. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

Standing between their bunk beds, Margie admires her four sons: Johnny, 13, Pierre, 11, Jamont, 9, and Johnnell, 11. She always took care of her kids until she fell in love with a drug addict and became addicted herself. Her children's world fell apart and they became homeless residents at the mission. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Standing between their bunk beds, Margie admires her four sons: Johnny, 13, Pierre, 11, Jamont, 9, and Johnnell, 11. She always took care of her kids until she fell in love with a drug addict and became addicted herself. Her children's world fell apart and they became homeless residents at the mission. Olive Branch Mission, Chicago.

1999 · Niet te zien · National Gallery of Art

James, the Bug Whisperer, Donna Ferrato, 2012

James, the Bug Whisperer

2012 · Niet te zien · J. Paul Getty Museum

James, the Bug Whisperer, Donna Ferrato, 2012

James, the Bug Whisperer

2012 · Niet te zien · J. Paul Getty Museum

Sarah and the Boys under the Bridge, Donna Ferrato, 2012

Sarah and the Boys under the Bridge

2012 · Niet te zien · J. Paul Getty Museum

Sarah Augusta, Donna Ferrato, 2012

Sarah Augusta

2012 · Niet te zien · J. Paul Getty Museum

Sarah Augusta, 26, Finally Free from Abuse, Donna Ferrato, 2012

Sarah Augusta, 26, Finally Free from Abuse

2012 · Niet te zien · J. Paul Getty Museum

Sarah and Taylor, Donna Ferrato, 2013

Sarah and Taylor

2013 · Niet te zien · J. Paul Getty Museum

Sarah, Donna Ferrato, 2013

Sarah

2013 · Niet te zien · J. Paul Getty Museum

Sarah and Taylor, Donna Ferrato, 2013

Sarah and Taylor

2013 · Niet te zien · J. Paul Getty Museum

Sarah Augusta Learning Self Defense, Donna Ferrato, 2013

Sarah Augusta Learning Self Defense

2013 · Niet te zien · J. Paul Getty Museum

Sarah With Her Family Attend the “Meet Us at the Bridge” Ceremony, Donna Ferrato, 2013

Sarah With Her Family Attend the “Meet Us at the Bridge” Ceremony

2013 · Niet te zien · J. Paul Getty Museum

Taylor and James in the Front Yard, Donna Ferrato, 2013

Taylor and James in the Front Yard

2013 · Niet te zien · J. Paul Getty Museum

Taylor, Donna Ferrato, 2013

Taylor

2013 · Niet te zien · J. Paul Getty Museum

Sarah, Donna Ferrato, 2013

Sarah

2013 · Niet te zien · J. Paul Getty Museum

Sarah and Tommy, Donna Ferrato, 2014

Sarah and Tommy

2014 · Niet te zien · J. Paul Getty Museum

Tommy and James, Donna Ferrato, 2014

Tommy and James

2014 · Niet te zien · J. Paul Getty Museum

Sarah, Donna Ferrato, 2014

Sarah

2014 · Niet te zien · J. Paul Getty Museum

Target Pratice with a Pellet Gun, Donna Ferrato, 2014

Target Pratice with a Pellet Gun

2014 · Niet te zien · J. Paul Getty Museum

Sarah after a Court Hearing, Donna Ferrato, 2014

Sarah after a Court Hearing

2014 · Niet te zien · J. Paul Getty Museum

Zoe, Donna Ferrato, 2014

Zoe

2014 · Niet te zien · J. Paul Getty Museum

Zoe and the Free Range Chicken, Donna Ferrato, 2014

Zoe and the Free Range Chicken

2014 · Niet te zien · J. Paul Getty Museum

Tommy and Sarah, Donna Ferrato, 2014

Tommy and Sarah

2014 · Niet te zien · J. Paul Getty Museum

Taylor and Zoe, Donna Ferrato, 2014

Taylor and Zoe

2014 · Niet te zien · J. Paul Getty Museum

Tommy, James and Taylor, Donna Ferrato, 2014

Tommy, James and Taylor

2014 · Niet te zien · J. Paul Getty Museum

James and Taylor, Donna Ferrato, 2014

James and Taylor

2014 · Niet te zien · J. Paul Getty Museum

Sarah and Her Mother, Donna Ferrato, 2014

Sarah and Her Mother

2014 · Niet te zien · J. Paul Getty Museum

Zoe, Donna Ferrato, 2014

Zoe

2014 · Niet te zien · J. Paul Getty Museum

Sarah, James and Taylor, Donna Ferrato, 2014

Sarah, James and Taylor

2014 · Niet te zien · J. Paul Getty Museum

Sarah and a member of B.A.C.A. discussing a strategy to protect the boys, Donna Ferrato, 2014

Sarah and a member of B.A.C.A. discussing a strategy to protect the boys

2014 · Niet te zien · J. Paul Getty Museum

Tommy and Sarah in the Kitchen, Donna Ferrato, 2014

Tommy and Sarah in the Kitchen

2014 · Niet te zien · J. Paul Getty Museum

Sarah and Tommy, Donna Ferrato, 2014

Sarah and Tommy

2014 · Niet te zien · J. Paul Getty Museum