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StartpaginaKaartCatalogus
  1. Kunstenaars/
  2. Allen Ruppersberg
Allen Ruppersberg — portret

Verenigde Staten · 1944–

Allen Ruppersberg

  • 95in de catalogus
  • 0nu te zien
  • 4collecties
  • 1land
WerkenLevenKaart
AlleTe zienIn collectiesOnbekend
Al's Grand Hotel, Allen Ruppersberg, 1971

Al's Grand Hotel

1971 · Niet te zien · Museum of Modern Art

Thank You, Mr. Duchamp, Allen Ruppersberg, 1972

Thank You, Mr. Duchamp

1972 · Niet te zien · Museum of Modern Art

Here and Now / Seeing and Believing, Allen Ruppersberg, 1972

Here and Now / Seeing and Believing

1972 · Niet te zien · Museum of Modern Art

From the South Forty to the Bunkhouse, Allen Ruppersberg, 1972

From the South Forty to the Bunkhouse

1972 · Niet te zien · Museum of Modern Art

Art & Project Bulletin #67, Allen Ruppersberg, 1973

Art & Project Bulletin #67

1973 · Niet te zien · Museum of Modern Art

The Picture of Dorian Gray, Allen Ruppersberg, 1974

The Picture of Dorian Gray

1974 · Niet te zien · Museum of Modern Art

A Private Reading, Allen Ruppersberg, 1978

A Private Reading

1978 · Niet te zien · Museum of Modern Art

A Novel that Writes Itself: A Proposal to Friends and Supporters from Allen Ruppersberg, Allen Ruppersberg, 1978

A Novel that Writes Itself: A Proposal to Friends and Supporters from Allen Ruppersberg

1978 · Niet te zien · Museum of Modern Art

Drawn from Life, Allen Ruppersberg, 1981

Drawn from Life

1981 · Niet te zien · Museum of Modern Art

Illustration for the Novel that Writes Itself, Allen Ruppersberg, 1983

Illustration for the Novel that Writes Itself

1983 · Niet te zien · Museum of Modern Art

Who's Afraid of the New Now? from Preview, Allen Ruppersberg, 1988

Who's Afraid of the New Now? from Preview

1988 · Niet te zien · Museum of Modern Art

What Should I Do? from Preview, Allen Ruppersberg, 1988

What Should I Do? from Preview

1988 · Niet te zien · Museum of Modern Art

Are You Crying? from Preview, Allen Ruppersberg, 1988

Are You Crying? from Preview

1988 · Niet te zien · Museum of Modern Art

Adults Only from Preview, Allen Ruppersberg, 1988

Adults Only from Preview

1988 · Niet te zien · Museum of Modern Art

No I've Got Something in My Eye from Preview, Allen Ruppersberg, 1988

No I've Got Something in My Eye from Preview

1988 · Niet te zien · Museum of Modern Art

It's Not Art (That Counts Now) from Preview, Allen Ruppersberg, 1988

It's Not Art (That Counts Now) from Preview

1988 · Niet te zien · Museum of Modern Art

Nostalgia 24 Hours a Day from Preview, Allen Ruppersberg, 1988

Nostalgia 24 Hours a Day from Preview

1988 · Niet te zien · Museum of Modern Art

Nothing - Nobody from Preview, Allen Ruppersberg, 1988

Nothing - Nobody from Preview

1988 · Niet te zien · Museum of Modern Art

Everything is Over from Preview, Allen Ruppersberg, 1988

Everything is Over from Preview

1988 · Niet te zien · Museum of Modern Art

Good Luck from Preview, Allen Ruppersberg, 1988

Good Luck from Preview

1988 · Niet te zien · Museum of Modern Art

Poster Object (Progress Not Adventure/Adventure Not Progress), Allen Ruppersberg, 1988

Poster Object (Progress Not Adventure/Adventure Not Progress)

1988 · Niet te zien · Museum of Modern Art

The Gift and the Inheritance (“Shakespeare’s Works”), Allen Ruppersberg, 1989

The Gift and the Inheritance (“Shakespeare’s Works”)

1989 · Niet te zien · National Gallery of Art

Stop Traveler (Siste Viator), Allen Ruppersberg, 1993

Stop Traveler (Siste Viator)

1993 · Niet te zien · Museum of Modern Art

Honey I rearranged the collection to question the cultural truths reflected in patterns of collection, scholarship and display in the priviledged [sic] space of art. Ha!, Allen Ruppersberg, 2000

Honey I rearranged the collection to question the cultural truths reflected in patterns of collection, scholarship and display in the priviledged [sic] space of art. Ha!

2000 · Niet te zien · National Gallery of Art

Honey, I rearranged the collection according to two categories: Nice and Not Nice., Allen Ruppersberg, 2000

Honey, I rearranged the collection according to two categories: Nice and Not Nice.

2000 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection because sometimes artists bug me. One came to the door today completely unannounced., Allen Ruppersberg, 2000

Honey, I rearranged the collection because sometimes artists bug me. One came to the door today completely unannounced.

2000 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection using only artists with three letters in their last name., Allen Ruppersberg, 2000

Honey, I rearranged the collection using only artists with three letters in their last name.

2000 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection because I miss NY, Paris, Rome, Berlin, London, Milan and the Cape., Allen Ruppersberg, 2000

Honey, I rearranged the collection because I miss NY, Paris, Rome, Berlin, London, Milan and the Cape.

2000 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection as an excuse to stay away from CHELSEA. It scares me., Allen Ruppersberg, 2001

Honey, I rearranged the collection as an excuse to stay away from CHELSEA. It scares me.

2001 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection to see if we got our money's worth., Allen Ruppersberg, 2001

Honey, I rearranged the collection to see if we got our money's worth.

2001 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection with artists who knew each other, but were different ages; artists who knew each other but worked differently; and artists who were influenced by artists who were soon forgotten., Allen Ruppersberg, 2001

Honey, I rearranged the collection with artists who knew each other, but were different ages; artists who knew each other but worked differently; and artists who were influenced by artists who were soon forgotten.

2001 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection with artists we only say "hello" to., Allen Ruppersberg, 2001

Honey, I rearranged the collection with artists we only say "hello" to.

2001 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection using artists whom we know virtually nothing about., Allen Ruppersberg, 2001

Honey, I rearranged the collection using artists whom we know virtually nothing about.

2001 · Niet te zien · Museum of Modern Art

Honey, I rearranged the collection because I think it's fun. Remember the Fun Gallery in the East Village? Fun counts!, Allen Ruppersberg, 2001

Honey, I rearranged the collection because I think it's fun. Remember the Fun Gallery in the East Village? Fun counts!

2001 · Niet te zien · Museum of Modern Art

The Novel That Writes Itself, Allen Ruppersberg, 2014

The Novel That Writes Itself

2014 · Niet te zien · Museum of Modern Art

Al's Grand Hotel (Neon Sign), Allen Rawson Ruppersberg, 1971

Al's Grand Hotel (Neon Sign)

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Hotel brochure, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel brochure

1971 · Niet te zien · Art Institute of Chicago

Ultra, from the Lobby in Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Ultra, from the Lobby in Al's Grand Hotel

1971 · Niet te zien · Art Institute of Chicago

Ultra (from the "Ultra Room", Al's Grand Hotel), Allen Rawson Ruppersberg, 1971

Ultra (from the "Ultra Room", Al's Grand Hotel)

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Hotel "standee", Allen Rawson Ruppersberg, 1971

Al's Grand Hotel "standee"

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Hotel announcement letters, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel announcement letters

1971 · Niet te zien · Art Institute of Chicago

Live at Al's Grand Hotel, May 7th, 1971/2011, Allen Rawson Ruppersberg, 1971

Live at Al's Grand Hotel, May 7th, 1971/2011

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Hotel "standee", Allen Rawson Ruppersberg, 1971

Al's Grand Hotel "standee"

1971 · Niet te zien · Art Institute of Chicago

Allen Ruppersberg with “standees” and their fabricator, Allen Rawson Ruppersberg, 1971

Allen Ruppersberg with “standees” and their fabricator

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Cafe Figure, Allen Rawson Ruppersberg, 1971

Al's Grand Cafe Figure

1971 · Niet te zien · Art Institute of Chicago

Terry Allen, Live at Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Terry Allen, Live at Al's Grand Hotel

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel

1971 · Niet te zien · Art Institute of Chicago

Al’s Grand Hotel, Allen Rawson Ruppersberg, 1971

Al’s Grand Hotel

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Hotel catalog, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel catalog

1971 · Niet te zien · Art Institute of Chicago

Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel

1971 · Niet te zien · Art Institute of Chicago

Ephemera from Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Ephemera from Al's Grand Hotel

1971 · Niet te zien · Art Institute of Chicago

Greetings from California, Allen Ruppersberg, 1972

Greetings from California

1972 · Niet te zien · Whitney Museum of American Art

Rona Barrett's Hollywood, Allen Rawson Ruppersberg, 1973

Rona Barrett's Hollywood

1973 · Niet te zien · Art Institute of Chicago

Between the Scenes, Allen Rawson Ruppersberg, 1973

Between the Scenes

1973 · Niet te zien · Art Institute of Chicago

The Plain Dealer, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Plain Dealer, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

The Spirit of Democracy, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Spirit of Democracy, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

The Wichita Falls Times, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Wichita Falls Times, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

The Houma Daily Courier, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Houma Daily Courier, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

Frederick Daily Leader, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

Frederick Daily Leader, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

The Clinton Daily News, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Clinton Daily News, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

The Clarion Ledger, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Clarion Ledger, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

The Mountain Mail, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Mountain Mail, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

The Austin American Statesman, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Austin American Statesman, from Paper Drive (For Claire)

1975 · Niet te zien · Art Institute of Chicago

Self-Portrait (as Hurd Hatfield as Dorian Gray), Allen Ruppersberg, 1984–1991

Self-Portrait (as Hurd Hatfield as Dorian Gray)

1984–1991 · Niet te zien · Whitney Museum of American Art

Who's Afraid of the New Now?, from Preview Suite, Allen Rawson Ruppersberg, 1988

Who's Afraid of the New Now?, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

Everything is Over, from Preview Suite, Allen Rawson Ruppersberg, 1988

Everything is Over, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

Adults Only Please, from Preview Suite, Allen Rawson Ruppersberg, 1988

Adults Only Please, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

Good Luck!, from Preview Suite, Allen Rawson Ruppersberg, 1988

Good Luck!, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

Nostalgia 24 Hours a Day, from Preview Suite, Allen Rawson Ruppersberg, 1988

Nostalgia 24 Hours a Day, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

Are You Crying?, from Preview Suite, Allen Rawson Ruppersberg, 1988

Are You Crying?, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

No, I've Got Something in my Eye, from Preview Suite, Allen Rawson Ruppersberg, 1988

No, I've Got Something in my Eye, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

What Should I Do?, from Preview Suite, Allen Rawson Ruppersberg, 1988

What Should I Do?, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

Nobody Nothing, from Preview Suite, Allen Rawson Ruppersberg, 1988

Nobody Nothing, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

It's Not Art, That Counts Now, from Preview Suite, Allen Rawson Ruppersberg, 1988

It's Not Art, That Counts Now, from Preview Suite

1988 · Niet te zien · Art Institute of Chicago

The Gift and the Inheritance [The Courage of the Commonplace], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [The Courage of the Commonplace]

1989–1991 · Niet te zien · Whitney Museum of American Art

The Gift and the Inheritance [Last Exit to Brooklyn], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [Last Exit to Brooklyn]

1989–1991 · Niet te zien · Whitney Museum of American Art

The Gift and the Inheritance [Strive to Succeed], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [Strive to Succeed]

1989–1991 · Niet te zien · Whitney Museum of American Art

The Gift and the Inheritance [The World Within the Word], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [The World Within the Word]

1989–1991 · Niet te zien · Whitney Museum of American Art

Remainders: Novel, Sculpture, Film, Allen Rawson Ruppersberg, 1991

Remainders: Novel, Sculpture, Film

1991 · Niet te zien · Art Institute of Chicago

Remainders: Novel, Sculpture, Film, Allen Ruppersberg, 1991

Remainders: Novel, Sculpture, Film

1991 · Niet te zien · Whitney Museum of American Art

The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Ruppersberg, 2012

The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Whitney Museum of American Art

Both Require a Close Up View and a Frame, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Require a Close Up View and a Frame, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both Picture a Beautiful World but One Is a Photograph and the Other Is Not, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Picture a Beautiful World but One Is a Photograph and the Other Is Not, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both are Subject to a Magical Process Before You Can See What Just Happened, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are Subject to a Magical Process Before You Can See What Just Happened, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both Record Reality from the Same Distance, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Record Reality from the Same Distance, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both Contain and Element of Each Other and Neither can Lie, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Contain and Element of Each Other and Neither can Lie, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Title Page, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Title Page, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

I Love Photographs but I Don't Know How to Make a Print, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

I Love Photographs but I Don't Know How to Make a Print, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Portfolio Cover, for The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Portfolio Cover, for The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both are Measured in Inches and Reach to Infinity, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are Measured in Inches and Reach to Infinity, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both Produce Suggestive Images and Can Be Considered Art, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Produce Suggestive Images and Can Be Considered Art, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both are 2D, Flat and Printed, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are 2D, Flat and Printed, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Both are Interpretations Created by Artists and Amateurs Alike, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are Interpretations Created by Artists and Amateurs Alike, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Colophon, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Colophon, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · Niet te zien · Art Institute of Chicago

Great Speckled Bird, Allen Ruppersberg, 2013

Great Speckled Bird

2013 · Niet te zien · Whitney Museum of American Art