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Se aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaSe aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Bárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaBárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Banderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1876예일 대학교 미술관

El famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1876예일 대학교 미술관

Disparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1876예일 대학교 미술관

Disparate de miedo (The Folly of Fear), plate 2 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate de miedo (The Folly of Fear), plate 2 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Sopla (Blow), pl. 69 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaSopla (Blow), pl. 69 from the series Los caprichos1797–98예일 대학교 미술관

Lo mismo en otras partes. (The Same Elsewhere.), pl. 23 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo mismo en otras partes. (The Same Elsewhere.), pl. 23 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Estragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEstragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1816예일 대학교 미술관

Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaLigereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia1876예일 대학교 미술관

Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1876예일 대학교 미술관

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1816예일 대학교 미술관

El ciego de la guitarra (The Blind Guitarist), Francisco Goya, ca. 1778

Francisco de GoyaEl ciego de la guitarra (The Blind Guitarist)ca. 1778예일 대학교 미술관

Esto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEsto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Amarga presencia (Bitter To Be Present), pl. 13 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaAmarga presencia (Bitter To Be Present), pl. 13 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Modo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaModo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia1816예일 대학교 미술관

Ni por esas. (Neither Do These.), pl. 11 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNi por esas. (Neither Do These.), pl. 11 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Echan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia1876예일 대학교 미술관

Disparate volante (Flying Folly), plate 5 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate volante (Flying Folly), plate 5 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

El célebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl célebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia1816예일 대학교 미술관

Curarlos, y á otra. (Get Them Well, and on to the Next.), pl. 20 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCurarlos, y á otra. (Get Them Well, and on to the Next.), pl. 20 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Duendecitos (Hobgoblins), Plate 49 from Los Caprichos, Francisco Goya, 1797–98, later printing

Francisco de GoyaDuendecitos (Hobgoblins), Plate 49 from Los Caprichos1797–98, later printing예일 대학교 미술관

Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Así sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaAsí sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Ni mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos, Francisco Goya, 1797–98, published 1799

Francisco de GoyaNi mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos1797–98, published 1799예일 대학교 미술관

Tampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaTampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Para eso habeis nacido (This Is What You Were Born For), pl. 12 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaPara eso habeis nacido (This Is What You Were Born For), pl. 12 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Al cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaAl cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Clamores en vano. (Appeals Are in Vain.), pl. 54 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaClamores en vano. (Appeals Are in Vain.), pl. 54 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Tampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Las mugeres [sic] dan valor (The Women Give Courage), pl. 4 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLas mugeres [sic] dan valor (The Women Give Courage), pl. 4 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Y son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaY son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Muertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaMuertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Y esto tambien. (And This Too.), pl. 45 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaY esto tambien. (And This Too.), pl. 45 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Two Heads Are Better than One, pl. 11 from the series Los proverbios, Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaTwo Heads Are Better than One, pl. 11 from the series Los proverbiosca. 1816–19, published 1864예일 대학교 미술관

Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1876예일 대학교 미술관

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTodo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Disparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1876예일 대학교 미술관

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1816예일 대학교 미술관

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia1816예일 대학교 미술관

Qué alboroto es este? (What Is This Hubbub?), pl. 65 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQué alboroto es este? (What Is This Hubbub?), pl. 65 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLos desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Disparate pobre (Poor Folly), also known as Two Heads Are Better Than One, from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate pobre (Poor Folly), also known as Two Heads Are Better Than One, from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1816예일 대학교 미술관

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