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Esta no lo es menos. (This Is Not Less So), pl. 67 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEsta no lo es menos. (This Is Not Less So), pl. 67 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia1816예일 대학교 미술관

Y aun no se van! (And Still They Don't Go!), pl. 59 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaY aun no se van! (And Still They Don't Go!), pl. 59 from the series Los caprichos1797–98예일 대학교 미술관

Disparate furioso (Furious Folly), plate 6 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate furioso (Furious Folly), plate 6 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaUn cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition)1876예일 대학교 미술관

Cruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Disparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Farándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaFarándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Esto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Gracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaGracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Un torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaUn torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition)1876예일 대학교 미술관

Modo de volar (A Way of Flying), pl. 13 from the series Los proverbios, Francisco Goya, ca. 1816–1823, published 1864

Francisco de GoyaModo de volar (A Way of Flying), pl. 13 from the series Los proverbiosca. 1816–1823, published 1864예일 대학교 미술관

Duro es el paso! (It's a Hard Step!), pl. 14 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaDuro es el paso! (It's a Hard Step!), pl. 14 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

No se convienen (They Do Not Agree), pl. 17 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaNo se convienen (They Do Not Agree), pl. 17 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Será lo mismo (It Will Be the Same), Plate 21 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSerá lo mismo (It Will Be the Same), Plate 21 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Modo de volar (A Way of Flying), from the series Los disparates (Follies [Irrationalities]), Francisco Goya, ca. 1815–16, printed 1864

Francisco de GoyaModo de volar (A Way of Flying), from the series Los disparates (Follies [Irrationalities])ca. 1815–16, printed 1864예일 대학교 미술관

Lo peor es pedir. (The Worst Is To Beg.), pl. 55 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo peor es pedir. (The Worst Is To Beg.), pl. 55 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Clamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaClamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Bien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaBien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1816예일 대학교 미술관

No llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Esto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

El caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaEl caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

De qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Se aprovechan. (They Make Use of Them.), pl. 16 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSe aprovechan. (They Make Use of Them.), pl. 16 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Modo de volar (A Way of Flying), plate 13 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaModo de volar (A Way of Flying), plate 13 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Tanto y mas. (Even Worse.), pl. 22 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTanto y mas. (Even Worse.), pl. 22 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Carretadas al cementerio (Cartloads to the Cemetery), Plate 64 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCarretadas al cementerio (Cartloads to the Cemetery), Plate 64 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Modo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaModo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia1876예일 대학교 미술관

Que valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1876예일 대학교 미술관

Estan calientes (They Are Hot), pl. 13 from the series Los caprichos, Francisco Goya, 1797–1798, published 1799

Francisco de GoyaEstan calientes (They Are Hot), pl. 13 from the series Los caprichos1797–1798, published 1799예일 대학교 미술관

Los ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaLos ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Disparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published 1877

Francisco de GoyaDisparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published 1877예일 대학교 미술관

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia1876예일 대학교 미술관

Así sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAsí sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Ya no hay tiempo (There Isn't Time Now), pl. 19 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)r), Francisco Goya, 1810–20, published 1863

Francisco de GoyaYa no hay tiempo (There Isn't Time Now), pl. 19 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)r)1810–20, published 1863예일 대학교 미술관

Fuerte cosa es! (That’s Tough!), pl. 31 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaFuerte cosa es! (That’s Tough!), pl. 31 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Les chiens laches sur le taureau (The Dogs Let Loose on the Bull), Plate C from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaLes chiens laches sur le taureau (The Dogs Let Loose on the Bull), Plate C from La tauromaquia (third edition)1876예일 대학교 미술관

Si Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaSi Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Disparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

No se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War)., Francisco Goya, 1863

Francisco de GoyaNo se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War).1863예일 대학교 미술관

Curarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCurarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

No se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1816예일 대학교 미술관

Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLos desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1876예일 대학교 미술관

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