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Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), plate 16 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), plate 16 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Murió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaMurió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Extraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaExtraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Y no hai remedio. (And There's No Help for It.), pl. 15 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaY no hai remedio. (And There's No Help for It.), pl. 15 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Se aprovechan (They Make Use of Them), pl. 16 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaSe aprovechan (They Make Use of Them), pl. 16 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Muertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaMuertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Lo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Será lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSerá lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Carretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCarretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Madre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaMadre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Esta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Por que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaPor que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Lo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaLo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Tristes presentimientos de lo que ha de acontecer. (Sad Forebodings of What Is Going To Happen.), pl. 1 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTristes presentimientos de lo que ha de acontecer. (Sad Forebodings of What Is Going To Happen.), pl. 1 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaUn caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia1876예일 대학교 미술관

Gatesca pantomima. (Feline Pantomime.), pl. 73 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaGatesca pantomima. (Feline Pantomime.), pl. 73 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Los ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaLos ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Ya no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaYa no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia1876예일 대학교 미술관

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1876예일 대학교 미술관

Si resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSi resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

No llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

No quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Y no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaY no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Que se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Escapan entre las llamas (They Escape through the Flames), Plate 41 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEscapan entre las llamas (They Escape through the Flames), Plate 41 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Gaspar de Guzman, Count Duke of Olivares, Francisco Goya, 1778

Francisco de GoyaGaspar de Guzman, Count Duke of Olivares1778예일 대학교 미술관

Caridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCaridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

No se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1816예일 대학교 미술관

No saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Disparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Si Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaSi Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Pedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaPedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia1876예일 대학교 미술관

Disparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Hasta la muerte (Until Death), Plate 55 from Los Caprichos, Francisco Goya, 1797–98, later printing

Francisco de GoyaHasta la muerte (Until Death), Plate 55 from Los Caprichos1797–98, later printing예일 대학교 미술관

Tambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Un caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaUn caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia1876예일 대학교 미술관

Tristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going to Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaTristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going to Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Estragos de la guerra. (Ravages of War.), pl. 30 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEstragos de la guerra. (Ravages of War.), pl. 30 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaOrigen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia1816예일 대학교 미술관

Un enano (A Dwarf), Francisco Goya, 1778–79

Francisco de GoyaUn enano (A Dwarf)1778–79예일 대학교 미술관

Por una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaPor una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Caridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCaridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1876예일 대학교 미술관

Gracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaGracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Ni por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaNi por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Ni asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaNi asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos1797–98예일 대학교 미술관

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