ART WIKI 37,788 전시 중

지도 소장품 작가 미술관 전시 저널

ART WIKI

작품을 볼 수 있는 곳과 관람 시간.

소장처: 게티 빌라, 국립 초상화 미술관, 국립미술관, 내셔널 갤러리 오브 아트, 뉴욕 근대미술관, 러시아 미술관, 루브르 박물관, 메트로폴리탄 미술관, 미니애폴리스 미술관, 빅토리아 앨버트 박물관, 스미스소니언 미술관, 시카고 미술관, 암스테르담 국립미술관, 에르미타시 박물관, 예일 대학교 미술관, 쿠퍼 휴이트 스미스소니언 디자인 박물관, 클리블랜드 미술관, 트레티야코프 미술관, 푸시킨 미술관, 하버드 미술관, 허시혼 미술관과 조각 정원, 휘트니 미술관, J. 폴 게티 미술관, National Museum of Asian Art, Yale Center for British Art, 러시아 박물관 기금 국가 목록 (미술관 274곳), 유로피아나 (미술관 19곳), 위키데이터 (미술관 44곳), 파리 뮈제 (미술관 12곳), 프랑스 문화부 박물관 데이터베이스 조콩드 (미술관 495곳) 및 이탈리아 문화부 문화유산 종합 목록 (미술관 25곳). 이미지의 권리는 각 권리자에게 있습니다.

메뉴

지도
검색
소장품
주요 작품
도난·유실 작품
작품 전시 정보 퍼가기
현재 전시 중
작가

더 보기

미술관과 갤러리
전시
저널
데이터 출처
개인정보 및 쿠키
소개
이용약관

홈 지도 둘러보기

둘러보기

에칭

작품 130,252점 미술관 146곳 소장현재 133점 전시 중 모두 지우기

/

기법

전체
에칭130,252
석판화89,179
인그레이빙63,364
목판화56,703
드라이포인트9,308
실크스크린8,459
애쿼틴트7,452
사진 제판 인쇄6,933
메조틴트6,751
리놀륨 판화2,658

Que locura! (What Madness!), Plate 68 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaQue locura! (What Madness!), Plate 68 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Modo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), pl. 1 from the series La tauromaquia, Francisco Goya, 1816

Francisco de GoyaModo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), pl. 1 from the series La tauromaquia1816예일 대학교 미술관

Los encasados (The Men in Sacks), plate 8 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaLos encasados (The Men in Sacks), plate 8 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Los ensacados (Men in Sacks), pl. 8 from the series Los proverbios, Francisco Goya, ca. 1816–1823, published 1864

Francisco de GoyaLos ensacados (Men in Sacks), pl. 8 from the series Los proverbiosca. 1816–1823, published 1864예일 대학교 미술관

Con razon ó sin ella. (Rightly or Wrongly.), pl. 2 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCon razon ó sin ella. (Rightly or Wrongly.), pl. 2 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Tampoco. (Nor [Do These] Either.), pl. 10 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTampoco. (Nor [Do These] Either.), pl. 10 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Viejo columpiándose (Old Man on a Swing), Francisco Goya, 1824–28

Francisco de GoyaViejo columpiándose (Old Man on a Swing)1824–28예일 대학교 미술관

Populacho. (Rabble.), pl. 28 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaPopulacho. (Rabble.), pl. 28 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaLigereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia1816예일 대학교 미술관

Siempre sucede (It Always Happens), pl. 8 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaSiempre sucede (It Always Happens), pl. 8 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Grande hazaña! Con muertos! (An Heroic Feat! With Dead Men!), pl. 39 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaGrande hazaña! Con muertos! (An Heroic Feat! With Dead Men!), pl. 39 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Cogida de un Moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCogida de un Moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia1876예일 대학교 미술관

Ya no hay tiempo. (There Isn't Time Now.), pl. 19 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaYa no hay tiempo. (There Isn't Time Now.), pl. 19 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Bien te se está (It Serves You Right), pl. 6 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaBien te se está (It Serves You Right), pl. 6 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Que [sic] hai que hacer mas? (What More Can Be Done?), Plate 33 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaQue [sic] hai que hacer mas? (What More Can Be Done?), Plate 33 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Echan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia1816예일 대학교 미술관

Mort de Pepe Illo (Death of Pepe Illo, 2nd Composition), Plate E from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaMort de Pepe Illo (Death of Pepe Illo, 2nd Composition), Plate E from La tauromaquia (third edition)1876예일 대학교 미술관

Tambien esto (This Too), Plate 43 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTambien esto (This Too), Plate 43 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Ni por esas (Neither Do These), pl. 11 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaNi por esas (Neither Do These), pl. 11 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863예일 대학교 미술관

Chiton (Hush), Plate 28 from Los Caprichos, Francisco Goya, 1797–98, later printing

Francisco de GoyaChiton (Hush), Plate 28 from Los Caprichos1797–98, later printing예일 대학교 미술관

La Lealtad (Loyalty), plate 17 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaLa Lealtad (Loyalty), plate 17 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Que locura! (What Madness!), pl. 68 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue locura! (What Madness!), pl. 68 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Tampoco. (Not [in This Case] Either.), pl. 36 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTampoco. (Not [in This Case] Either.), pl. 36 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

El embozado (The Cloaked Man), Francisco Goya, mid 19th century

Francisco de GoyaEl embozado (The Cloaked Man)mid 19th century예일 대학교 미술관

No saben el camino (They Do Not Know the Way), Plate 70 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo saben el camino (They Do Not Know the Way), Plate 70 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Que se rompe la cuerda (May the Cord Break), Plate 77 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaQue se rompe la cuerda (May the Cord Break), Plate 77 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Farándula de charlatanes. (Charlatans’ Show.), pl. 75 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaFarándula de charlatanes. (Charlatans’ Show.), pl. 75 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Caridad. (Charity.), pl. 27 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCaridad. (Charity.), pl. 27 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

No se convienen. (They Do Not Agree.), pl. 17 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo se convienen. (They Do Not Agree.), pl. 17 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Que se rompe la cuerda (May the Cord Break), pl. 77 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaQue se rompe la cuerda (May the Cord Break), pl. 77 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Sanos y enfermos. (The Healthy and the Sick.), pl. 57 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSanos y enfermos. (The Healthy and the Sick.), pl. 57 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaPalenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia1876예일 대학교 미술관

Caridad de una muger (A Woman’s Charity), Plate 49 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCaridad de una muger (A Woman’s Charity), Plate 49 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Tanto y mas (Even Worse), Plate 22 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTanto y mas (Even Worse), Plate 22 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Por qué? (Why?), pl. 32 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaPor qué? (Why?), pl. 32 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Lo mismo (The Same), pl. 3 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLo mismo (The Same), pl. 3 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Enterrar y callar. (Bury Them and Keep Quiet.), pl. 18 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEnterrar y callar. (Bury Them and Keep Quiet.), pl. 18 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Nada. [Ello dirá] (Nothing. The Event Will Tell), Plate 69 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNada. [Ello dirá] (Nothing. The Event Will Tell), Plate 69 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

Disparate de bestia (Animal Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published late 19th century

Francisco de GoyaDisparate de bestia (Animal Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published late 19th century예일 대학교 미술관

Bien te se está (It Serves You Right), pl. 6 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaBien te se está (It Serves You Right), pl. 6 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863예일 대학교 미술관

Disparate claro (Clear Folly), also known as Sin recomendarse a Dios ni al diablo (Without Commending Himself Either to God or the Devil), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate claro (Clear Folly), also known as Sin recomendarse a Dios ni al diablo (Without Commending Himself Either to God or the Devil), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Espiró sin remedio (There Was Nothing to Be Done and He Died), Plate 53 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEspiró sin remedio (There Was Nothing to Be Done and He Died), Plate 53 from Los desastres de la guerra (The Disasters of War)1863예일 대학교 미술관

No se puede mirar. (One Can’t Look.), pl. 26 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo se puede mirar. (One Can’t Look.), pl. 26 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Disparate desordenado (Disorderly Folly) or Disparate matrimonial (Matrimonial Folly), also known as La que mal marida nunca le falta que diga (She Who Is Ill Wed Never Misses a Chance to Say So, from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate desordenado (Disorderly Folly) or Disparate matrimonial (Matrimonial Folly), also known as La que mal marida nunca le falta que diga (She Who Is Ill Wed Never Misses a Chance to Say So, from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)예일 대학교 미술관

Se defiende bien. (He Defends Himself Well.), pl. 78 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSe defiende bien. (He Defends Himself Well.), pl. 78 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863예일 대학교 미술관

Bobalicón (Simpleton), plate 4 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaBobalicón (Simpleton), plate 4 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864예일 대학교 미술관

Caritas (Charity), Francisco Goya, 1780

Francisco de GoyaCaritas (Charity)1780예일 대학교 미술관

Maja [with light background], Francisco Goya, late 18th–early 19th century, published 1971

Francisco de GoyaMaja [with light background]late 18th–early 19th century, published 1971예일 대학교 미술관

30

페이지전체 200페이지