ART WIKI37,788 点が展示中
地図コレクション作家美術館展覧会ジャーナル
ログイン

ART WIKI

作品の展示場所と開館時間。

所蔵館:J・ポール・ゲティ美術館、アムステルダム国立美術館、イェール・ブリティッシュ・アート・センター、イエール大学美術館、ヴィクトリア&アルバート博物館、エルミタージュ美術館、クーパー・ヒューイット国立デザイン博物館、クリーブランド美術館、ゲティ・ヴィラ、コペンハーゲン国立美術館、シカゴ美術館、スミソニアン・アメリカ美術館、スミソニアン国立アジア美術館、トレチャコフ美術館、ナショナル・ギャラリー、ニューヨーク近代美術館、ハーシュホーン博物館と彫刻の庭、ハーバード美術館群、プーシキン美術館、ホイットニー美術館、ミネアポリス美術館、メトロポリタン美術館、ルーヴル美術館、ロシア美術館、国立肖像画美術館、ロシア博物館資料国家目録(274館)、Europeana(19館)、ウィキデータ(44館)、Paris Musées(12館)、Joconde(フランス文化省の美術館データベース)(495館)、the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture(25館)。画像の権利は各権利者に帰属します。

ご案内

  • 地図
  • 検索
  • コレクション
  • 名作
  • 盗難・所在不明の作品
  • 作品の展示状況を埋め込む
  • 現在展示中
  • 作家

その他

  • 美術館・ギャラリー
  • 展覧会
  • ジャーナル
  • データの出どころ
  • プライバシーとCookie
  • ART WIKIについて
  • 利用規約
ホーム地図カタログ

カタログ

版画

880,909点の作品 (254館の所蔵)現在展示中 639点解除

/
技法
  • すべて
  • エッチング130,252
  • リトグラフ89,179
  • エングレーヴィング63,364
  • 木版画56,703
  • ドライポイント9,308
  • シルクスクリーン8,459
  • アクアチント7,452
  • 写真製版6,933
  • メゾチント6,751
  • リノカット2,658
Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)ca. 1810 (published 1863)メトロポリタン美術館
Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)1814–15 (published 1863)メトロポリタン美術館
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo), Goya, 1799Francisco de GoyaPlate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)1799メトロポリタン美術館
Plate 72 from "Los Caprichos": You will not escape (No te escaparàs), Goya, 1799Francisco de GoyaPlate 72 from "Los Caprichos": You will not escape (No te escaparàs)1799メトロポリタン美術館
Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)1811–12 (published 1863)メトロポリタン美術館
Portrait of Frederick  Delius, Edvard Munch, 1920Edvard MunchPortrait of Frederick Delius1920ナショナル・ギャラリー
The Cat (Katten), Edvard Munch, 1913Edvard MunchThe Cat (Katten)1913ナショナル・ギャラリー
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi), Goya, 1810 (published 1863)Francisco de GoyaPlate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi)1810 (published 1863)メトロポリタン美術館
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull, Goya, 1816Francisco de GoyaPlate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull1816メトロポリタン美術館
Encounter in Space (Møte i verdensrommet), Edvard Munch, 1902Edvard MunchEncounter in Space (Møte i verdensrommet)1902ナショナル・ギャラリー
The Seducer (Forføreren), Edvard Munch, 1913Edvard MunchThe Seducer (Forføreren)1913ナショナル・ギャラリー
Plate 57  from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)1811–12 (published 1863)メトロポリタン美術館
The cloaked man, Goya, 1859Francisco de GoyaThe cloaked man1859メトロポリタン美術館
Recycle, it's the law! from Exit 99, David Byrne, 1999David Byrne, Talking HeadsRecycle, it's the law! from Exit 991999ニューヨーク近代美術館
Count Kessler, Edvard Munch, 1895Edvard MunchCount Kessler1895ナショナル・ギャラリー
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, Goya, 1816Francisco de GoyaPlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse1816メトロポリタン美術館
Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra), Goya, 1810–11Francisco de GoyaPlate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)1810–11メトロポリタン美術館
Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?), Goya, 1799Francisco de GoyaPlate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)1799メトロポリタン美術館
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), Goya, 1810Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)1810メトロポリタン美術館
Plate 80 from "Los Caprichos": It is time (Ya es hora), Goya, 1799Francisco de GoyaPlate 80 from "Los Caprichos": It is time (Ya es hora)1799メトロポリタン美術館
Loyalty, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaLoyalty, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)メトロポリタン美術館
Isabel of Bourbon, Queen of Spain on horseback, after Veláquez, Goya, 1778Francisco de GoyaIsabel of Bourbon, Queen of Spain on horseback, after Veláquez1778メトロポリタン美術館
A Way of Flying, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–16 (published 1864)Francisco de GoyaA Way of Flying, from "The Disparates" (Follies / Irrationalities)ca. 1815–16 (published 1864)メトロポリタン美術館
Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya, 1799Francisco de GoyaTantalus (Tantalo), plate 9 from "Los Caprichos"1799メトロポリタン美術館
Moonlight. Night in Saint-Cloud (Måneskinn. Natt i Saint-Cloud), Edvard Munch, 1895Edvard MunchMoonlight. Night in Saint-Cloud (Måneskinn. Natt i Saint-Cloud)1895ナショナル・ギャラリー
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)メトロポリタン美術館
Omega's Flight, Edvard Munch, 1908/1909Edvard MunchOmega's Flight1908/1909ナショナル・ギャラリー
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Goya, 1799Francisco de GoyaPlate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)1799メトロポリタン美術館
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring, Goya, ca. 1816Francisco de GoyaPlate 8 from "Tauromaquia": A moor caught by the bull in the ringca. 1816メトロポリタン美術館
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)1814–15 (published 1863)メトロポリタン美術館
Plate 29 of  "La Tauromaquia": Pepe Illo making the pass of the 'recorte', Goya, 1816Francisco de GoyaPlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'1816メトロポリタン美術館
Men in Sacks, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaMen in Sacks, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)メトロポリタン美術館
Jens Thiis/Two Old People, Edvard Munch, 1913Edvard MunchJens Thiis/Two Old People1913ナショナル・ギャラリー
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)1811–12 (published 1863)メトロポリタン美術館
Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)ca. 1810 (published 1863)メトロポリタン美術館
Blossom of Pain (Smertens blomst), Edvard Munch, 1898Edvard MunchBlossom of Pain (Smertens blomst)1898ナショナル・ギャラリー
Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)1814–15 (published 1863)メトロポリタン美術館
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar), Goya, 1810Francisco de GoyaPlate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)1810メトロポリタン美術館
Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño), Goya, 1799Francisco de GoyaPlate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)1799メトロポリタン美術館
Madonna, Edvard Munch, 1895/1902Edvard MunchMadonna1895/1902ナショナル・ギャラリー
Mystical Shore, Edvard Munch, 1897Edvard MunchMystical Shore1897ナショナル・ギャラリー
Bullfight in a divided ring, from the 'Bulls of Bordeaux', Goya, 1825Francisco de GoyaBullfight in a divided ring, from the 'Bulls of Bordeaux'1825メトロポリタン美術館
Plate 61 from "Los Caprichos": They have flown (Volaverunt), Goya, 1799Francisco de GoyaPlate 61 from "Los Caprichos": They have flown (Volaverunt)1799メトロポリタン美術館
Alpha's Death, Edvard Munch, 1908/1909Edvard MunchAlpha's Death1908/1909ナショナル・ギャラリー
Menippus, after Velázquez, Goya, 1778Francisco de GoyaMenippus, after Velázquez1778メトロポリタン美術館
Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan), Goya, 1799Francisco de GoyaPlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)1799メトロポリタン美術館
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Loyalty' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)メトロポリタン美術館
Garroted Man, Goya, ca. 1775–78Francisco de GoyaGarroted Manca. 1775–78メトロポリタン美術館
143