ART WIKI37,906 点が展示中
地図コレクション作家美術館展覧会ジャーナル
ログイン

ART WIKI

作品の展示場所と開館時間。

所蔵館:J・ポール・ゲティ美術館、アムステルダム国立美術館、イェール・ブリティッシュ・アート・センター、イエール大学美術館、ヴィクトリア&アルバート博物館、エルミタージュ美術館、クーパー・ヒューイット国立デザイン博物館、クリーブランド美術館、ゲティ・ヴィラ、コペンハーゲン国立美術館、シカゴ美術館、スミソニアン・アメリカ美術館、スミソニアン国立アジア美術館、トレチャコフ美術館、ナショナル・ギャラリー、ニューヨーク近代美術館、ハーシュホーン博物館と彫刻の庭、ハーバード美術館群、プーシキン美術館、ホイットニー美術館、ミネアポリス美術館、メトロポリタン美術館、ルーヴル美術館、ロシア美術館、国立肖像画美術館、ロシア博物館資料国家目録(274館)、Europeana(19館)、ウィキデータ(44館)、Paris Musées(12館)、Joconde(フランス文化省の美術館データベース)(495館)、the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture(74館)。画像の権利は各権利者に帰属します。

ご案内

  • 地図
  • 検索
  • コレクション
  • 名作
  • 盗難・所在不明の作品
  • 作品の展示状況を埋め込む
  • 現在展示中
  • 作家

その他

  • 美術館・ギャラリー
  • 展覧会
  • ジャーナル
  • データの出どころ
  • プライバシーとCookie
  • ART WIKIについて
  • 利用規約
ホーム地図カタログ

カタログ

版画

888,821点の作品 (284館の所蔵)現在展示中 695点解除

/
技法
  • すべて
  • エッチング134,099
  • リトグラフ89,670
  • エングレーヴィング65,311
  • 木版画56,703
  • シルクスクリーン9,592
  • ドライポイント9,308
  • アクアチント7,452
  • 写真製版6,933
  • メゾチント6,751
  • リノカット2,658
Plate 9: Tantalus (Tantalo), from "Los Caprichos", Goya, ca. 1798–99Francisco de GoyaPlate 9: Tantalus (Tantalo), from "Los Caprichos"ca. 1798–99メトロポリタン美術館
Plate 19 from "Los Caprichos": All will fall (Todos Caerán), Goya, 1799Francisco de GoyaPlate 19 from "Los Caprichos": All will fall (Todos Caerán)1799メトロポリタン美術館
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco), Goya, 1810Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)1810メトロポリタン美術館
Plate 70  from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)1814–15 (published 1863)メトロポリタン美術館
Title page for "Los Proverbios" (Disparates), Goya, 1864Francisco de GoyaTitle page for "Los Proverbios" (Disparates)1864メトロポリタン美術館
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar), Goya, 1799Francisco de GoyaPlate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)1799メトロポリタン美術館
Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid1816メトロポリタン美術館
Plate 35 from "Los Caprichos": She fleeces him (Le descañona), Goya, 1799Francisco de GoyaPlate 35 from "Los Caprichos": She fleeces him (Le descañona)1799メトロポリタン美術館
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), Goya, 1810Francisco de GoyaPlate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)1810メトロポリタン美術館
Plate 66 from "Los Caprichos": There it goes (Allá vá eso), Goya, 1799Francisco de GoyaPlate 66 from "Los Caprichos": There it goes (Allá vá eso)1799メトロポリタン美術館
A False Bacchus Crowning Drunkards, Goya, 1778Francisco de GoyaA False Bacchus Crowning Drunkards1778メトロポリタン美術館
Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino), Goya, 1799Francisco de GoyaPlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)1799メトロポリタン美術館
The Andalusian dance (El Vito), Goya, ca. 1824–1825Francisco de GoyaThe Andalusian dance (El Vito)ca. 1824–1825メトロポリタン美術館
Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...), Goya, 1799Francisco de GoyaPlate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)1799メトロポリタン美術館
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, Goya, 1816Francisco de GoyaPlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull1816メトロポリタン美術館
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid1816メトロポリタン美術館
Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió), Goya, 1810 (published 1863)Francisco de GoyaPlate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)1810 (published 1863)メトロポリタン美術館
Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está), Goya, 1810 (published 1863)Francisco de GoyaPlate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)1810 (published 1863)メトロポリタン美術館
Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!), Goya, 1799Francisco de GoyaPlate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)1799メトロポリタン美術館
Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!), Goya, 1799Francisco de GoyaPlate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)1799メトロポリタン美術館
Plate 1 from "Los Caprichos": Self-portrait, Goya, 1799 (published 1881–86)Francisco de GoyaPlate 1 from "Los Caprichos": Self-portrait1799 (published 1881–86)メトロポリタン美術館
Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!), Goya, 1799Francisco de GoyaPlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)1799メトロポリタン美術館
Plate 13: They are Hot (Estan Calientes), from "Los Caprichos", Goya, ca. 1798Francisco de GoyaPlate 13: They are Hot (Estan Calientes), from "Los Caprichos"ca. 1798メトロポリタン美術館
Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto), Goya, 1799Francisco de GoyaPlate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)1799メトロポリタン美術館
Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos), Goya, 1799Francisco de GoyaPlate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)1799メトロポリタン美術館
Plate 62  from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)1811–12 (published 1863)メトロポリタン美術館
Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!), Goya, 1799Francisco de GoyaPlate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)1799メトロポリタン美術館
Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes), Goya, 1799Francisco de GoyaPlate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)1799メトロポリタン美術館
Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!), Goya, 1799Francisco de GoyaPlate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)1799メトロポリタン美術館
Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)1811–12 (published 1863)メトロポリタン美術館
Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!), Goya, 1799Francisco de GoyaPlate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)1799メトロポリタン美術館
Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)1810 (published 1863)メトロポリタン美術館
Plate 9 from "Los Caprichos": Tantalus (Tantalo), Goya, 1799Francisco de GoyaPlate 9 from "Los Caprichos": Tantalus (Tantalo)1799メトロポリタン美術館
Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?)1814–15 (published 1863)メトロポリタン美術館
Portrait of the court dwarf known as el Primo, after Velázquez, Goya, 1778Francisco de GoyaPortrait of the court dwarf known as el Primo, after Velázquez1778メトロポリタン美術館
Dancing Giant, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDancing Giant, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)メトロポリタン美術館
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya, 1799Francisco de GoyaEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"1799メトロポリタン美術館
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", Goya, 1816Francisco de GoyaCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"1816メトロポリタン美術館
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien), Goya, 1810 (published 1863)Francisco de GoyaPlate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)1810 (published 1863)メトロポリタン美術館
Plate 46 from "Los Caprichos": Correction (Correccion), Goya, 1799Francisco de GoyaPlate 46 from "Los Caprichos": Correction (Correccion)1799メトロポリタン美術館
Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!), Goya, 1799Francisco de GoyaPlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)1799メトロポリタン美術館
Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)1814–15 (published 1863)メトロポリタン美術館
Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar), Goya, 1799Francisco de GoyaPlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)1799メトロポリタン美術館
Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)1814–15 (published 1863)メトロポリタン美術館
Plate 78  from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan), Goya, 1881–86Francisco de GoyaPlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)1881–86メトロポリタン美術館
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto), Goya, ca. 1815 (published 1859)Francisco de Goya'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)ca. 1815 (published 1859)メトロポリタン美術館
Plate 49  from "Los Caprichos": Hobgoblins (Duendecitos), Goya, 1799Francisco de GoyaPlate 49 from "Los Caprichos": Hobgoblins (Duendecitos)1799メトロポリタン美術館
The Exhortations, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaThe Exhortations, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)メトロポリタン美術館
142