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Gracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaGracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Esta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Que se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Lo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaLo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Y son fieras. (And They Are Like Wild Deasts.), pl. 5 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaY son fieras. (And They Are Like Wild Deasts.), pl. 5 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia1876イエール大学美術館

De qué sirve una taza? (What Is the Use of a Cup?), pl. 59 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), pl. 59 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Escapan entre las llamas. (They Escape through the Flames.), pl. 41 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEscapan entre las llamas. (They Escape through the Flames.), pl. 41 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaPalenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia1816イエール大学美術館

Sanos y enfermos (The Healthy and the Sick), Plate 57 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSanos y enfermos (The Healthy and the Sick), Plate 57 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Pedro Romero matando á toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaPedro Romero matando á toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia1816イエール大学美術館

No hay que dar voces. (It’s No Use Crying Out.), pl. 58 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo hay que dar voces. (It’s No Use Crying Out.), pl. 58 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Con razon ó sin ella (Rightly or Wrongly), pl. 2 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaCon razon ó sin ella (Rightly or Wrongly), pl. 2 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

No quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Y no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaY no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

Por que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaPor que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Si son de otro linage. (Perhaps They Are of Another Breed.), pl. 61 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSi son de otro linage. (Perhaps They Are of Another Breed.), pl. 61 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Disparate de miedo (Folly of Fear), also known as Por temor no pierdas honor (Do Not Lose Honour Through Fear), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate de miedo (Folly of Fear), also known as Por temor no pierdas honor (Do Not Lose Honour Through Fear), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

No quiren [sic] (They Don't Like It), pl. 9 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaNo quiren [sic] (They Don't Like It), pl. 9 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1816イエール大学美術館

Disparate de carnabal (Carnival Folly), also known as Alegrias antruejo, que mañana seras ceniza (Rejoice, Carnival, for Tomorrow Thou Will Be Ashes), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate de carnabal (Carnival Folly), also known as Alegrias antruejo, que mañana seras ceniza (Rejoice, Carnival, for Tomorrow Thou Will Be Ashes), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1876イエール大学美術館

Fuerte cosa es! (That’s Tough!), Plate 31 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaFuerte cosa es! (That’s Tough!), Plate 31 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Aun podrán servir (They Can Still Be of Use), pl. 24 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAun podrán servir (They Can Still Be of Use), pl. 24 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Combat dans une voiture attelee de deux mulets (Fight in a Carriage Harnessed to Two Mules), Plate G from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaCombat dans une voiture attelee de deux mulets (Fight in a Carriage Harnessed to Two Mules), Plate G from La tauromaquia (third edition)1876イエール大学美術館

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Madre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaMadre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Hasta la muerte (Until Death), Plate 55 from Los Caprichos, Francisco Goya, 1797–98, later printing

Francisco de GoyaHasta la muerte (Until Death), Plate 55 from Los Caprichos1797–98, later printingイエール大学美術館

Tambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Siempre sucede (It Always Happens), pl. 8 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaSiempre sucede (It Always Happens), pl. 8 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Algun partido saca. (He Gets Something out of It.), pl. 40 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAlgun partido saca. (He Gets Something out of It.), pl. 40 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Enterrar y callar (Bury Them and Keep Quiet), pl. 18 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), pl. 18 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Si amanece, nos vamos (When Day Breaks We Will Be Off), pl. 71 from the series Los caprichos, Francisco Goya, 1797–98, published 1799

Francisco de GoyaSi amanece, nos vamos (When Day Breaks We Will Be Off), pl. 71 from the series Los caprichos1797–98, published 1799イエール大学美術館

Las resultas (The Consequences), Plate 72 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaLas resultas (The Consequences), Plate 72 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

La que mal marida nunca le falta que diga (She Who Is Ill Wed Never Misses a Chance To Say So), pl. 7 from Los proverbios, Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaLa que mal marida nunca le falta que diga (She Who Is Ill Wed Never Misses a Chance To Say So), pl. 7 from Los proverbiosca. 1816–19, published 1864イエール大学美術館

El buitre carnívoro. (The Carnivorous Vulture.), pl. 76 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEl buitre carnívoro. (The Carnivorous Vulture.), pl. 76 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Lo merecia (He Deserved It), Plate 29 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaLo merecia (He Deserved It), Plate 29 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia1876イエール大学美術館

Disparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Ni por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaNi por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Ni asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaNi asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos1797–98イエール大学美術館

Las mugeres dan valor. (The Women Give Courage.), pl. 4 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLas mugeres dan valor. (The Women Give Courage.), pl. 4 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Moenippus, Francisco Goya, 1778–79

Francisco de GoyaMoenippus1778–79イエール大学美術館

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Plate 21 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Plate 21 from La tauromaquia1816イエール大学美術館

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1816イエール大学美術館

Barbarroxa, Francisco Goya, 1778

Francisco de GoyaBarbarroxa1778イエール大学美術館

Murió la verdad. (Truth Has Died.), pl. 79 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaMurió la verdad. (Truth Has Died.), pl. 79 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Nadie nos ha visto (No One Has Seen Us), pl. 79 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaNadie nos ha visto (No One Has Seen Us), pl. 79 from the series Los caprichos1797–98イエール大学美術館

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