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Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaLigereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia1816イエール大学美術館

Caritas (Charity), Francisco Goya, 1780

Francisco de GoyaCaritas (Charity)1780イエール大学美術館

El embozado (The Cloaked Man), Francisco Goya, mid 19th century

Francisco de GoyaEl embozado (The Cloaked Man)mid 19th centuryイエール大学美術館

Gaspar de Guzman, Count Duke of Olivares, Francisco Goya, 1778

Francisco de GoyaGaspar de Guzman, Count Duke of Olivares1778イエール大学美術館

Extraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaExtraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Los ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaLos ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Ya no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaYa no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia1876イエール大学美術館

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1876イエール大学美術館

Si resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSi resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Carretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCarretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Bobalicón (Simpleton), plate 4 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaBobalicón (Simpleton), plate 4 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Por qué? (Why?), pl. 32 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaPor qué? (Why?), pl. 32 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Lo mismo (The Same), pl. 3 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLo mismo (The Same), pl. 3 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Cogida de un Moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCogida de un Moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia1876イエール大学美術館

Escapan entre las llamas (They Escape through the Flames), Plate 41 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEscapan entre las llamas (They Escape through the Flames), Plate 41 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Tristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going to Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaTristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going to Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

Caridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCaridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Y no hai remedio. (And There's No Help for It.), pl. 15 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaY no hai remedio. (And There's No Help for It.), pl. 15 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1816イエール大学美術館

No saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Disparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Si Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaSi Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Pedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaPedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia1876イエール大学美術館

Tanto y mas (Even Worse), Plate 22 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTanto y mas (Even Worse), Plate 22 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Siempre sucede (It Always Happens), pl. 8 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaSiempre sucede (It Always Happens), pl. 8 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

Grande hazaña! Con muertos! (An Heroic Feat! With Dead Men!), pl. 39 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaGrande hazaña! Con muertos! (An Heroic Feat! With Dead Men!), pl. 39 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), plate 16 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), plate 16 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Un caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaUn caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia1876イエール大学美術館

Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaUn caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia1876イエール大学美術館

Estragos de la guerra. (Ravages of War.), pl. 30 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEstragos de la guerra. (Ravages of War.), pl. 30 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaOrigen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia1816イエール大学美術館

Un enano (A Dwarf), Francisco Goya, 1778–79

Francisco de GoyaUn enano (A Dwarf)1778–79イエール大学美術館

Por una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaPor una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Caridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCaridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1876イエール大学美術館

Que locura! (What Madness!), pl. 68 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue locura! (What Madness!), pl. 68 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Tampoco. (Not [in This Case] Either.), pl. 36 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTampoco. (Not [in This Case] Either.), pl. 36 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Maja [with light background], Francisco Goya, late 18th–early 19th century, published 1971

Francisco de GoyaMaja [with light background]late 18th–early 19th century, published 1971イエール大学美術館

Tristes presentimientos de lo que ha de acontecer. (Sad Forebodings of What Is Going To Happen.), pl. 1 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTristes presentimientos de lo que ha de acontecer. (Sad Forebodings of What Is Going To Happen.), pl. 1 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Murió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaMurió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Gatesca pantomima. (Feline Pantomime.), pl. 73 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaGatesca pantomima. (Feline Pantomime.), pl. 73 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

No se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Se aprovechan (They Make Use of Them), pl. 16 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaSe aprovechan (They Make Use of Them), pl. 16 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

Muertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaMuertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Lo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Será lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSerá lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

No llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

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