Berthe Morisotフランス, 1841–1895Young Girl with Hat
見られますか？
はい、現在展示中
『Young Girl with Hat』は今どこに？ シカゴ美術館, 展示室 201, シカゴ. はい、現在展示中. 確認 2026年9月29日.
シカゴ, アメリカ合衆国
閉館· 11:00に開館
一般公開されています。
- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 1964.214
描かれているもの
カタログ収録
出典
- シカゴ美術館
- 画像： シカゴ美術館 — CC0
その頃、Berthe Morisotの人生では
生涯をすべて見る1887–1895
Squaring and tracing paper: the synthesis of her last years
Morisot starts to use squaring and tracing paper to transcribe her drawings exactly onto the canvas, which lets her build compositions with more complicated interaction between figures. Her late works are distinctive for their synthesis of the Impressionist touch with broad strokes and light reflections and the graphic approach of clear lines.
1890
“No man has ever treated a woman as an equal”
In 1890 Morisot writes in a notebook about her struggle to be taken seriously as an artist: she does not think there has ever been a man who treated a woman as an equal, and that is all she would have asked for, since she knows she is worth as much as they are.
1892
Her husband Eugène Manet dies
In 1892 Morisot's husband, the painter Eugène Manet (1833–1892), dies.
1892
The first solo exhibition
In 1892, after almost two decades of showing in group exhibitions, Morisot's first solo exhibition is held.
1894
Geffroy calls her one of the “grandes dames”
In 1894 the critic Gustave Geffroy describes Morisot as one of the “three great ladies” of Impressionism, alongside Marie Bracquemond and Mary Cassatt.
