
View of Lower Terrace, Hampstead
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はい、現在展示中
『View of Lower Terrace, Hampstead』は今どこに? ヴィクトリア&アルバート博物館, Paintings, Room 88, The Edwin and Susan Davies Galleries, ロンドン. はい、現在展示中. 確認 2026年9月25日.
閉館· 明日10:00に開館
一般公開されています。
- 確認
- この状態になった日
- 出典
- 美術館
この絵画について
Constable and his family frequently rented a house in Hampstead during the summer. In 1821 and 1822 they lodged at 2 Lower Terrace. Their daughter Isabel was born there. This view depicts the neighbouring houses, nos 4 and 3.
ヴィクトリア&アルバート博物館
作品データ
- 収蔵番号
- 584-1888
描かれているもの
カタログ収録
出典
- ヴィクトリア&アルバート博物館
- 画像: ヴィクトリア&アルバート博物館 — © Victoria and Albert Museum, London
その頃、John Constableの人生では
生涯をすべて見る1821
“The Hay Wain” at the Royal Academy
The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.
1821
Son born: Charles Golding Constable
1821
“I should paint my own places best”
In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.
1824
The Paris Salon: a gold medal
The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.
1824
Delacroix repaints the background of “The Massacre at Chios”
After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.
1824–1828
The family in Brighton for Maria’s health
When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.




















