La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Peintures

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『La baie de Weymouth à l'approche de l'orage』は今どこに？ ルーヴル美術館, Salle 713, Aile Denon, Niveau 1, パリ. はい、現在展示中. 確認 2026年9月26日.

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展示室713, Aile Denon, Niveau 1

開館中· 18:00まで

一般公開されています。

1816
A marriage against the bride’s grandfather
Maria’s grandfather, Dr Rhudde, rector of East Bergholt, opposed the match: he thought the Constables his social inferiors and threatened to disinherit her. Constable’s parents approved but offered no support until he was financially secure; they died soon afterwards, and he inherited a fifth share of the family business.
1816
A honeymoon by the sea
After the wedding at St Martin-in-the-Fields, conducted by Fisher, the couple stayed at Fisher’s vicarage and toured the south coast. The sea at Weymouth and Brighton pushed Constable towards brilliant colour and lively brushwork.
1816年10月2日
Married: Maria Bicknell
1821
“The Hay Wain” at the Royal Academy
The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.
1821
Son born: Charles Golding Constable
1821
“I should paint my own places best”
In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.