Juan Grisスペイン王国, 1887–1927Still Life
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『Still Life』は今どこに？ 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 95.1979
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Juan Grisの人生では
生涯をすべて見る1910s–1920s
The pupil Picasso “wished away”
Gris regarded Picasso as a teacher, but according to Gertrude Stein in The Autobiography of Alice B. Toklas, Picasso treated him with undisguised irritation: Gris was the only person Picasso wished away. At first Gris was spoken of only as Picasso’s follower, but when he became an independent artist and one of the leaders of Cubism, Picasso grew jealous.
1913–1918
From Analytical to Synthetic Cubism
At first Gris painted in the style of Analytical Cubism, a term he himself later coined; after 1913 he converted to Synthetic Cubism, making extensive use of papier collé, or collage, an evolution that ran through 1914–1918. Unlike Picasso and Braque, whose Cubist works were practically monochromatic, he painted in bright harmonious colours in daring, novel combinations, in the manner of his friend Matisse.
1915
Modigliani paints Gris’s portrait
In 1915 his friend Amedeo Modigliani painted his portrait.
