Gino Severiniイタリア, 1883–1966Self-Portrait
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シカゴ美術館
シカゴ, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 14 時間前
- この状態になった日
- 2026年8月19日
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 1969.376
カタログ収録
出典
- シカゴ美術館: the museum's own open data · 4 日前に取得
- 画像： シカゴ美術館 — © the artist or rights holder
その頃、Gino Severiniの人生では
生涯をすべて見るfrom 1910
Big-city nightlife becomes his main theme
From 1910 the main theme of his paintings is the nightlife of the big city, in which signs of Futurism — dynamism and sharpness of image — can be seen. The machine attracts him less than his fellow Futurists, and he most often chooses the figure of the dancer to express the Futurist theories of dynamism.
February – April 1910
Signs the manifestos of Futurist painting
Invited by Filippo Tommaso Marinetti and Boccioni to join the Futurist movement, he co-signs, with Balla, Boccioni, Carlo Carrà and Luigi Russolo, the Manifesto of the Futurist Painters (February 1910) and the Technical Manifesto of Futurist Painting (April of the same year).
1911
The link between Paris and the Futurists
An important link between artists in France and Italy, he comes into contact with Cubism before his Futurist colleagues; after a visit to Paris in 1911 the Italian Futurists adopt a sort of Cubism, which gives them a means of analysing energy in paintings and expressing dynamism.
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