Composizione

metà sec. XX · Drawing · 60 × 34 cm

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『Composizione』は今どこに？ 所蔵: Galleria d'Arte Contemporanea Osvaldo Licini, Ascoli Piceno. 現在展示中かどうかは不明.

Galleria d'Arte Contemporanea Osvaldo Licini

Ascoli Piceno, イタリア

所蔵者は判明していますが、現在展示中かどうかは不明です。

この状態になった日: 2026年11月12日
出典: 美術館

地図で見る美術館のページ

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作品について

美術館の言葉で — イタリア語

Il disegno non è datato, si può supporre che sia stato realizzato intorno alla metà del Novecento quando sotto l'influenza della corrente neocubista (Turcato, Corpora, Fazzini, Guttuso ed altri) Severini `modernizza` il proprio linguaggio prediligendo una pittura di segni libera da qualsiasi legame oggettuale. L'opera è indicata nell'atto notarile con il titolo `Composizione`

Galleria d'Arte Contemporanea Osvaldo Licini

作品データ

収蔵番号: inv., n. 862

描かれているもの

Decorazioni

カタログ収録

素描・水彩パステル印象派モダニズム 20世紀

出典

Galleria d'Arte Contemporanea Osvaldo Licini
画像： Galleria d'Arte Contemporanea Osvaldo Licini — Soprintendenza Archeologia, Belle Arti e Paesaggio per le province di Ascoli Piceno, Fermo e Macerata · Beni Culturali Standard (BCS) · Catalogo generale dei Beni Culturali (ICCD – MiC)

その頃、Gino Severiniの人生では

生涯をすべて見る

1899
Moves to Rome with his mother
For a while he works with his father; then in 1899 he moves to Rome with his mother, where, working as a shipping clerk, he paints in his spare time — it is in Rome that he first shows a serious interest in art.
1900
Meets Boccioni and Balla: Divisionism
He meets Umberto Boccioni; together they visit the studio of Giacomo Balla, where they are introduced to Divisionism — painting with adjacent rather than mixed colours, breaking the surface into a field of dots and stripes. The ideas of Divisionism strongly influenced Severini’s early work and Futurist painting of 1910–1911.
1906
Moves to Paris
He settles in Paris, in Montmartre, and devotes himself to painting; he would later say that he was born physically in Cortona and intellectually and spiritually in Paris.
February – April 1910
Signs the manifestos of Futurist painting
Invited by Filippo Tommaso Marinetti and Boccioni to join the Futurist movement, he co-signs, with Balla, Boccioni, Carlo Carrà and Luigi Russolo, the Manifesto of the Futurist Painters (February 1910) and the Technical Manifesto of Futurist Painting (April of the same year).
1935
First prize for painting at the Rome Quadrennial
At the Rome Quadrennial he wins the first prize for painting, with an entire room devoted to his work.
1966年2月26日
Died