John Singleton Copleyアメリカ合衆国, 1738–1815Samuel Verplanck
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メトロポリタン美術館
展示室展示室 718ニューヨーク, アメリカ合衆国
一般公開されています。裏付けとなる出典は下に記しています。
- 確認
- 一昨日
- この状態になった日
- 2026年9月26日
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 39.173
What it shows
カタログ収録
出典
- メトロポリタン美術館: the museum's own open data · 5 日前に取得
- 画像： メトロポリタン美術館 — Open Access (CC0)
その頃、John Singleton Copleyの人生では
生涯をすべて見る1753–1774 · 活動地
Boston
1760s
A needy tobacconist’s son among Boston’s elite
The income Copley earned by painting in the 1760s was extraordinary for his town and time and raised the son of a needy tobacconist into the local aristocracy. The foremost personages of New England came to his painting-room as sitters.
1769年11月16日
Married: Susannah Farnum Clarke
1770
Daughter born: Elizabeth Copley
June 1771 – January 1772
A trip to New York: thirty-seven portraits
At the invitation of Myles Cooper, president of King’s College, whose portrait Copley had painted in Boston in 1768, he sets up his easel on Broadway in New York and paints thirty-seven portraits. It is his only American tour away from Boston: most of the Southern portraits attributed to him were in fact made by Henry Benbridge.
1773
His father-in-law is consignee of the Boston Tea Party tea
Richard Clarke, the artist’s father-in-law, was the merchant to whom the tea that provoked the Boston Tea Party was consigned. All of Copley’s family connections were Loyalists, and at a meeting described in his letter of 1 December 1773 he defended his wife’s relatives.
