John Constableイギリス, 1776–1837Salisbury Cathedral from the south-west
見られますか？
はい、現在展示中
『Salisbury Cathedral from the south-west』は今どこに？ ヴィクトリア&アルバート博物館, Paintings, Room 88, The Edwin and Susan Davies Galleries, ロンドン. はい、現在展示中. 確認 2026年9月25日.
閉館· 明日10:00に開館
一般公開されています。
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- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 319-1888
描かれているもの
カタログ収録
出典
- ヴィクトリア&アルバート博物館
- 画像： ヴィクトリア&アルバート博物館 — © Victoria and Albert Museum, London
その頃、John Constableの人生では
生涯をすべて見る1821
“The Hay Wain” at the Royal Academy
The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.
1821
Son born: Charles Golding Constable
1821
“I should paint my own places best”
In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.
23 October 1821
To Fisher: “I have done a good deal of skying”
Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.
1822/1823
Daughter born: Isabel Constable
![Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)](https://collections.louvre.fr/media/cache/large/0000000021/0000065616/0000312650_OG.JPG)
