Edward Steichenアメリカ合衆国, 1879–1973Portret van Frits Thaulow
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『Portret van Frits Thaulow』は今どこに？ 所蔵: アムステルダム国立美術館, アムステルダム. 不明.
アムステルダム, オランダ
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- 出典
- 美術館
作品データ
- 収蔵番号
- RP-F-2001-7-968-5-107
描かれているもの
カタログ収録
出典
- アムステルダム国立美術館
- 画像： アムステルダム国立美術館 — © the artist or rights holder
その頃、Edward Steichenの人生では
生涯をすべて見る1895
First camera: the start of photography
Having discovered a camera shop near his work, he buys a secondhand Kodak box “detective” camera and begins to practise photography. He and his friends, who are interested in drawing and photography, then pool their funds and rent a small room in Milwaukee, calling themselves the Milwaukee Art Students League and hiring Richard Lorenz and Robert Schade for occasional lectures.
1899
Photographs at the Philadelphia Salon
His photographs are exhibited at the second Philadelphia Photographic Salon.
1900
Meets Stieglitz on the way to Paris
He leaves Milwaukee for Paris to study art; on a letter of introduction from Clarence H. White he meets Alfred Stieglitz in New York, who praises his background in painting and buys three of his photographic prints. He will spend several years in Paris and discover avant-garde art there.
1900
American citizenship
He becomes a US citizen and signs the naturalization papers as Edward J. Steichen, but goes on using his birth name, Éduard, until after the First World War.
1902
The Camera Work logo and the Photo-Secession
When Stieglitz is planning the magazine that becomes Camera Work, he asks Steichen to design its logo with a custom typeface; Steichen becomes the most frequently shown photographer in the journal. In the same year he is one of the founders of the Photo-Secession in New York.
1904
First experiments with colour photography
He begins experimenting with colour photography and becomes one of the earliest in the United States to use the Autochrome Lumière process.
