Joseph Mallord William Turnerイギリス, 1775–1851Oberwesel
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『Oberwesel』は今どこに？ 所蔵: ナショナル・ギャラリー, ワシントンD.C. 現在は展示されていません. 確認 2026年9月29日.
ワシントンD.C., アメリカ合衆国
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- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 2007.77.1
描かれているもの
カタログ収録
出典
- ナショナル・ギャラリー
- 画像： ナショナル・ギャラリー — Museum open access
その頃、Joseph Mallord William Turnerの人生では
生涯をすべて見る1830–1840s
Criticism in the 1830s–1840s and Ruskin’s defence
His innovative works, bordering on abstraction, gave him a reputation for madness: the Victorian public preferred realism and sentimentality, and Queen Victoria refused to knight him. John Ruskin came to his defence, calling him “the greatest artist of all time”.
1838
A gold snuffbox from Louis-Philippe
Turner was a constant user of snuff; in 1838 King Louis-Philippe I of France gave him a gold snuffbox.
1840–1844
Last journeys: Venice and Switzerland
On a second trip to Venice (1840) he also visited Trieste and Coburg, and in 1841 and 1844 he made two final trips to Switzerland, in his sixties.
1842
“Snow Storm: Steam-Boat…”: a scathing review
Of “Snow Storm: Steam-Boat off a Harbour’s Mouth” (1842), considered a masterpiece today, The Athenaeum wrote dismissively that the painter now painted with cream, chocolate, yolk of egg or currant jelly, and that where the steam-boat was and where the harbour began were matters past finding out.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
