Finding of Moses

1657年10月4日

Born

1674

Moves to Naples

Encouraged by Cardinal Vincenzo Orsini, the future Pope Benedict XIII, who had been his patron from early on, he moves to Naples. He first attends the school of Francesco di Maria to perfect his study of anatomy, then turns to the Baroque art of Luca Giordano and Mattia Preti.

1690s–1730s

His studio dominates Neapolitan painting

From the 1690s through the first four decades of the 18th century his studio dominates Neapolitan painting, becoming a virtual academy at the heart of the city’s cultural life. Among its pupils are Francesco De Mura, Giuseppe Bonito and Gaspare Traversi; the Scottish portraitist Allan Ramsay spends three years there.

1692

Luca Giordano leaves for Spain

Giordano leaves Naples for Spain, where he stays until 1702. His absence spurs Solimena to develop his primary role as a catalyst of change in painting, refining his idiom without abandoning the influence of Preti.

mid-1690s

Turns toward classicism

Perhaps stimulated by the rivalry of Paolo de Matteis, he begins to move toward a more classical style that puts disegno before colore and shows a new concern for ideal beauty. Striking examples are the Assumption (1697) in the Annunziata at Marcianise and the St. Christopher in Sant’Anna dei Lombardi, whose nude de’ Dominici admired for its ideal beauty.

1701

Probable visit to Rome

He probably visits Rome, where he paints the Abduction of Orithyia for Cardinal Fabrizio Spada (now in the Galleria Spada); its clear drawing and frieze-like composition show his assimilation of Roman classicism and that of the French Academy in Rome.