Mirza Abu'l Hassan Khan, Thomas Lawrence, 1810
Thomas Lawrenceの肖像Thomas Lawrenceイギリス, 1769–1830

Mirza Abu'l Hassan Khan

1810 · Painting

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『Mirza Abu'l Hassan Khan』は今どこに? ハーバード美術館群, Gallery 2120, floor 2, European and American Art, 17th–19th century, ケンブリッジ. はい、現在展示中. 確認 2026年10月12日.

ハーバード美術館群

ケンブリッジ, アメリカ合衆国

展示室2120, floor 2, European and American Art, 17th–19th century

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この絵画について

Mirza Abu’l Hassan (1776–1845) was the ambassador of the shah of Persia to the court of King George III in London, sent in 1809 to help negotiate a treaty of alliance to counter growing French influence. Although he stayed in England for less than a year, he became a figure of fascination — the subject of portraits, popular prints, and even poetry. A contemporary noted that “the Persian ambassador is the principal thing talked of now.” His official host was Gore Ouseley, a diplomat and linguist who had lived and worked in India. Ouseley commissioned this portrait from Thomas Lawrence, one of the leading British portraitists of the day. Abu’l Hassan, who kept a journal during his time in London, reported that Lawrence painted the portrait in four sittings. Ouseley accompanied Abu’l Hassan on his return to Persia to finalize the treaty, bringing the painting with him.

ハーバード美術館群

作品データ

収蔵番号
1964.100

カタログ収録

出典

その頃、Thomas Lawrenceの人生では

生涯をすべて見る
  1. 1800s

    A witness in the “Delicate Investigation” into the Princess

    The King commissions portraits of his daughter-in-law Caroline, the estranged wife of the Prince of Wales, and of his granddaughter Charlotte; while painting them Lawrence stays at Montagu House, the princess’s residence in Blackheath, and becomes implicated in the “delicate investigation” into Caroline’s morals. He swears an affidavit that although he had sometimes been alone with her the door was never locked or bolted, and, expertly defended by Spencer Perceval, he is exonerated.

  2. 1809

    A boycott of the Academy exhibition of 1809

    Protesting at the way his paintings have been hung, Lawrence skips the Academy exhibition — one of only two he missed between 1787 and 1830; the other, in 1819, he will miss because he is abroad.

  3. 1810

    The patronage of the Prince Regent

    Acquires the generous patronage of the Prince Regent: they met through a sitter, Lord Charles Stewart, whom Lawrence painted in Hussar uniform. The prince commissions portraits of himself and of the allied leaders — Wellington, Blücher and Count Platov, who sit for Lawrence at his new house at 65 Russell Square — and by 1811, when the prince became regent, Lawrence is acknowledged as the country’s foremost portrait painter.

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