Le Déjeuner sur l'Herbre, Max Ernst, 1944
Max Ernstの肖像Max Ernstフランス, 1891–1976

Le Déjeuner sur l'Herbre

1944 · Painting

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クリーブランド美術館

クリーブランド, アメリカ合衆国

展示室225 German Expressionism & Surrealism

一般公開されています。裏付けとなる出典は下に記しています。

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この絵画について

This painting depicts the remains of a picnic on a cloth and a bottle of wine abandoned on the grass. Painted during World War II while the artist was in exile in the United States, the fish out of water has been seen as a symbol of suffering and the scene itself as a poisoned paradise. At the left Max Ernst painted a chalkboard, similar to daily specials in French restaurants. The text satirically alludes to Édouard Manet’s Le Déjeuner sur l’Herbe (Luncheon on the Grass), 1863, a painting that shocked viewers when first exhibited but later became celebrated as an early example of modern art.

クリーブランド美術館

作品データ

収蔵番号
2002.55

カタログ収録

出典

その頃、Max Ernstの人生では

生涯をすべて見る
  1. late 1942

    Dorothea Tanning and “Birthday”

    Selecting pictures for an exhibition of women artists at Peggy’s gallery, Ernst noticed Dorothea Tanning’s Birthday. Julien Levy introduced him to the painter, and a few meetings were enough for him to fall in love.

  2. 1942

    Married: Peggy Guggenheim

  3. 1942

    “First Papers of Surrealism” and “Art of This Century”

    In October 1942 the exhibition First Papers of Surrealism opened, its catalogue laid out as a list of modern myths in which “interplanetary communication” was credited to Ernst. That month Peggy Guggenheim’s gallery Art of This Century opened on 57th Street, and Ernst drew the cover of its catalogue.

  4. 1946

    Married: Dorothea Tanning

  5. 1946

    A double wedding in Hollywood with Man Ray

    Ernst and Dorothea Tanning went to Hollywood to marry, asking Man Ray and his friend Juliet Browner to be their witnesses; the two decided to marry as well, and the result was a double ceremony in Beverly Hills.

  6. 1946–1953

    Sedona: a house and “Capricorn” built with his own hands

    Ernst built the house himself, helped by a young admirer and short of money, and made the 2.4-metre Capricorn, a seated bull-man, from empty bottles, springs and cement; the property became known as Capricorn Hill. The couple took an interest in the rites of the local Native American tribes, Ernst buying objects and masks from them, and friends visited only occasionally.

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