La Finette, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)
Jean-Antoine Watteauの肖像Jean-Antoine Watteauフランス, 1684–1721

La Finette

1e quart du XVIIIe siècle (1700 - 1725) · Peintures

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『La Finette』は今どこに? ルーヴル美術館, Salle 918, Aile Sully, Niveau 2, パリ. はい、現在展示中. 確認 2026年10月12日.

ルーヴル美術館

パリ, フランス

展示室918, Aile Sully, Niveau 2

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この絵画について

『ラ・フィネット』(仏: La Finette、英: La Finette)は、18世紀フランス・ロココ期の巨匠アントワーヌ・ヴァトーが1717年ごろに板上に油彩で制作した絵画である。題名の「ラ・フィネット」という言葉は、「おしゃまな」、「機知に富んだ」という意味の形容詞に由来する。作品は1869年に当時の所有者であったルイ・ラ・カーズから寄贈されて以来、パリのルーヴル美術館に所蔵されている。

ウィキペディアCC BY-SA

作品データ

収蔵番号
MI 1123

カタログ収録

出典

  • ルーヴル美術館
  • 画像: ルーヴル美術館 — © 2010 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle

その頃、Jean-Antoine Watteauの人生では

生涯をすべて見る
  1. 1700–1702

    Slips away to Paris on foot, penniless

    Against his father's will, Watteau secretly leaves Valenciennes and walks to Paris without a penny. By one account the decision was influenced by the War of the Spanish Succession and by his acquaintance with the decorator Métayer, under whom he first worked for the theatre.

  2. c. 1704

    First patrons: the Mariettes

    Watteau finds his first patrons in the engravers and collectors Pierre Mariette II and his son Jean, owners of a large firm dealing in prints and paintings. At their house he gets to know Rembrandt's prints, Titian's drawings and Rubens's engravings, and for the first time enters an atmosphere of true professionalism.

  3. c. 1705

    With Gillot: theatre and the commedia dell'arte

    Through the Mariettes, Watteau becomes a pupil of Claude Gillot, a master of stage sets who also paints small pictures of Italian-comedy scenes. In Gillot's studio he sees theatrical life from the inside and meets a subject that will become one of the foundations of his art.

  4. 30 July 1712

    Admitted to the Academy as an associate

    Watteau seeks admission to the Royal Academy of Painting and Sculpture. According to Gersaint, the academician Charles de La Fosse, having seen his work, urges him to apply and helps to get him accepted among the Academy's associate members.

  5. 28 August 1717

    Elected to the Academy: a “fête galante”

    By 1717 Watteau's “gallant scenes” have had such wide success that an exception is made for his reception piece, “Pilgrimage to Cythera”: in the minutes the words “pilgrimage to Cythera” are struck out and replaced by “fête galante”. Watteau is elected a full member of the Academy; the ceremony is attended by the First Painter to the King, Antoine Coypel, by Claude Gillot and by the Regent, the Duke of Orléans.

  6. 1721年7月18日

    Died

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