Jusepe de Riberaの肖像Jusepe de Riberaスペイン王国, 1591–1652

Jésus parmi les docteurs

1612-1613 · Painting · 188 × 270 cm

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『Jésus parmi les docteurs』は今どこに? 所蔵: Musée d'art et d'histoire de Langres, ラングル. 不明.

Musée d'art et d'histoire de Langres

ラングル, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

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美術館

この絵画について

美術館の言葉で — フランス語

portrait de groupe composé de vieillards assis, écoutant un enfant (Jésus) parler au centre ; personnages représentés grandeur nature dans diverses positions : deux pointent du doigt un document, un homme (Origène) torse nu porte un livre sur les genoux, un homme de dos sur la droite maintient un lourd drapé, d'autres parlent au second plan ; teintes chaudes (brun et rouge) ;présence de bleu donnant du rythme à la composition ; travail des raccourcis et des torsions (dos, extrémités) ; coup de lumière sur le visage du jeune garçon, vêtu de drapés rouge et bleu, main droite en avant

Musée d'art et d'histoire de Langres

作品データ

収蔵番号
2012.0.1

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その頃、Jusepe de Riberaの人生では

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  1. not after 1613 (possibly from 1606)

    Sets out for Italy to study the old masters

    Probably no later than 1613, perhaps as early as 1606, Ribera leaves for Italy to study the paintings of the old masters: first north to Cremona, Milan and Parma, then to Rome, where he gets to know the work of Guido Reni and Ludovico Carracci. Other accounts allow that he may have been there as early as 1605–09; he never returns to Spain.

  2. 1609–1616 · 活動地

    Parma

  3. 1613

    Recorded in Rome's Accademia di San Luca

    In October 1613 documents confirm that Ribera is in Rome and a member of the Accademia di San Luca; other accounts put his election to the Academy in 1626.

  4. 1613–1616

    Rome: fame, earnings and debts

    According to Giulio Mancini, Ribera begins by working for daily wages in other artists' workshops, then wins a strong reputation and large profits; Guido Reni is among the admirers of his work, and a painter of his kind had not been seen in Rome for years. But he is lazy at times, spends extravagantly and falls into debt.

  5. not after 1614

    A missed Easter confession

    According to Mancini, Ribera had trouble with the Roman authorities when he neglected his Easter confession one year, likely in 1614 or earlier.

  6. 1615–1616

    Via Margutta: the foreigners' quarter

    Parish registers confirm that at Easter in 1615 and 1616 Ribera lives on the Via Margutta, then known as the foreigners' quarter, with his brothers Jerónimo and Juan; he apparently leads a bohemian life among other artists.

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