Gustave Moreauフランス, 1826–1898Jacob et l'Ange
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ギュスターヴ・モロー美術館
パリ, フランス
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- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- Cat. 444
カタログ収録
出典
- ギュスターヴ・モロー美術館
- 画像： ギュスターヴ・モロー美術館 — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
その頃、Gustave Moreauの人生では
生涯をすべて見る1859–1888 · 活動地
Paris
1876
Return to the Salon: “Salome”
After the break Moreau returned to the Salon. That year he completed “Salome Dancing before Herod”, which announced the more painterly style that would characterize his later works.
1878
“Phaeton” at the World’s Fair stuns Redon
At the 1878 World’s Fair Moreau’s watercolour “Phaeton” so struck Odilon Redon that he wrote of its power to renew old art. Redon, like many critics of the time, saw Moreau’s chief merit in giving traditional painting a new direction, building a bridge between past and future.
1879
Anthony Roux commissions works on La Fontaine’s “Fables”
In 1879 the collector Anthony Roux commissioned several artists, among them Moreau, Baudry, Delaunay, Doré, Gervex, Harpignies, Hébert, Raffaëlli and Ziem, to produce works based on La Fontaine’s Fables.
1880
His last exhibition: “Helen” and “Galatea”
In 1880 Moreau took part in an exhibition for the last time, showing “Helen at the Walls of Troy”, in which the woman appears as a depraved creature guilty of war and the death of men, and “Galatea”, whose heroine is an object of desire on which the huge eye of the cyclops in love is vainly fixed.
