Joseph Mallord William Turnerイギリス, 1775–1851Isis
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『Isis』は今どこに？ 所蔵: ナショナル・ギャラリー, ワシントンD.C. 現在は展示されていません. 確認 2026年9月29日.
ワシントンD.C., アメリカ合衆国
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- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 1941.4.26
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出典
- ナショナル・ギャラリー
- 画像： ナショナル・ギャラリー — Museum open access
その頃、Joseph Mallord William Turnerの人生では
生涯をすべて見る1806–1819
Work on the “Liber Studiorum”
For nearly twelve years he worked on about 70 mezzotints — the “Book of Studies”, inspired by Claude’s Liber Veritatis and meant as a manifesto of British landscape art; commercially it failed because of poor handling of sales and distribution, but it did elevate the prestige of landscape painting.
1808–1824
Summers at Walter Fawkes’s Farnley Hall
From 1808 to 1824 he stayed many summers at Farnley Hall near Otley in Yorkshire with its owner Walter Fawkes, becoming almost part of the family, with a room assigned for his exclusive use.
1819
First journey through Italy
He visited Turin, Milan, Rome, Venice and Naples, studying the works of Titian, Tintoretto, Raphael and contemporary Italian artists; after the trip his painting became brighter, his palette more intense, with primary colours predominating, and the Venetian theme took a special place in his work.
1820s
Print series for publishers
In the 1820s he worked on several topographical print commissions: “Picturesque Views on the Southern Coast of England” (1814–1826) and “The Rivers of England” (1822–1826) for the Cooke brothers, “Picturesque Views in England and Wales” (1824–1838) for Charles Heath and “The Ports of England” (1825–1828) for Thomas Lupton.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
