Il Duetto (‘The Duet’), William Etty, 1838
William Ettyの肖像William Ettyイギリス, 1787–1849

Il Duetto (‘The Duet’)

1838 · Painting · 49.2 × 38.1 cm

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『Il Duetto (‘The Duet’)』は今どこに? 所蔵: ナショナル・ギャラリー, ロンドン. 不明.

ナショナル・ギャラリー

ロンドン, イギリス

所蔵者は判明していますが、現在展示中かどうかは不明です。

この状態になった日
出典
美術館

作品データ

収蔵番号
NG363

カタログ収録

出典

  • ウィキデータ
  • 画像: ナショナル・ギャラリー — William Etty · Public domain · Wikimedia Commons

その頃、William Ettyの人生では

生涯をすべて見る
  1. 1830s

    Turns to portraiture and still life

    In the 1830s Etty began to branch out into the more lucrative but less respected field of portraiture, and later became the first English painter to paint significant still lifes. He continued to paint both male and female nudes, which drew severe criticism and condemnation from parts of the press.

  2. 1838

    At the opening of Pugin’s chapel at Oscott

    Etty was one of the few non-Catholics to attend the opening of Augustus Pugin’s chapel for St Mary’s College, Oscott, then England’s most important Catholic building. He never formally left his Methodist faith but was deeply attached to the Catholic Church.

  3. 1840 and 1841

    Pilgrimage to the Netherlands

    In 1840 and again in 1841 Etty made a pilgrimage to the Netherlands to study the paintings of the Dutch masters, including Rubens, in the country’s churches and public galleries.

  4. 1840s

    The prolific and profitable 1840s

    Etty was prolific and commercially successful throughout the 1840s, but the quality of his work deteriorated over this period.

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