ART WIKI 32,963 点が展示中

地図コレクション作家美術館展覧会ジャーナル

ART WIKI

名画の居場所と、扉の開く時刻。

所蔵館：J・ポール・ゲティ美術館、アムステルダム国立美術館、ヴィクトリア&アルバート博物館、エルミタージュ美術館、クリーブランド美術館、ゲティ・ヴィラ、コペンハーゲン国立美術館、シカゴ美術館、スミソニアン・アメリカ美術館、スミソニアン国立アジア美術館、トレチャコフ美術館、ナショナル・ギャラリー、ニューヨーク近代美術館、ハーシュホーン博物館と彫刻の庭、ハーバード美術館群、プーシキン美術館、ホイットニー美術館、ミネアポリス美術館、メトロポリタン美術館、ルーヴル美術館、ロシア美術館、国立肖像画美術館、ロシア博物館資料国家目録（274館）、Europeana（19館）、ウィキデータ（6館）、Paris Musées（12館）、Joconde（フランス文化省の美術館データベース）（495館）。画像の権利は各権利者に帰属します。

ご案内

地図
検索
コレクション
名作
現在展示中
作家

その他

美術館・ギャラリー
展覧会
ジャーナル
データの出どころ
プライバシーとCookie

ホーム地図カタログ

コレクション
ナショナル・ギャラリー
Going West

Going West, Thomas Hart Benton, 1934

Thomas Hart Bentonの肖像

Thomas Hart Bentonアメリカ合衆国, 1889–1975

Going West

1934 · Print

お目にかかれますか？

ただいまはお迎えしていません

ナショナル・ギャラリー

ワシントンD.C., アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

確認: 3 日前
この状態になった日: 2026年8月19日
出典: 美術館

地図で見る美術館のページ

作品データ

1934 · 45歳

18891975

収蔵番号: 2000.98.1

描かれているもの

Travel Train Transportation Locomotive

カタログ収録

版画リトグラフモダニズム 20世紀 American

出典

ナショナル・ギャラリー
画像：ナショナル・ギャラリー — © the artist or rights holder

その頃、Thomas Hart Bentonの人生では

生涯をすべて見る

1926–1935
Employed by: Art Students League of New York
late 1920s – early 1930s
Jackson Pollock among his students
Among Benton's students at the Art Students League of New York is Jackson Pollock, the future founder of Abstract Expressionism. Pollock often said that Benton's traditional teaching gave him something to rebel against.
1932
A breakthrough: the commission for the Indiana murals
He breaks through to the mainstream: a relative unknown, he wins the commission to paint murals of Indiana life that the state has planned for the 1933 Century of Progress Exhibition in Chicago. The success brings him fame in the following years.
1933
A scandal over the Indiana murals
The Indiana murals stir controversy: Benton painted everyday people and events from the state's history that some did not want publicized, and critics attack the work for showing members of the Indiana Ku Klux Klan in full regalia. At the Klan's height (membership peaked in 1925) an estimated 30% of adult men in Indiana belonged to it; the panels are now at Indiana University in Bloomington.
24 December 1934
On the cover of Time magazine
Appears on one of the earliest color covers of Time magazine: in the feature “The U.S. Scene” he, together with fellow Midwesterners Grant Wood and John Steuart Curry, is presented as a new hero of American art, and Regionalism is described as a significant art movement.
1935
Leaving New York for Missouri
Having alienated both the left-leaning community of artists with his disregard for politics and the larger New York–Paris art world with what was considered his folksy style, Benton leaves the artistic debates of New York for his native Missouri. Settling in Kansas City and taking a teaching job at the Kansas City Art Institute, he gains greater access to a rapidly changing rural America; a Populist by upbringing, he sympathizes with the working class and the small farmer.

Thomas Hart Bentonのほかの作品

すべての作品

Martha's Vineyard, Thomas Hart Benton, c. 1925

Martha's Vineyard

c. 1925 · ナショナル・ギャラリー

Homestead, Thomas Hart Benton, 1938

Homestead

1938 · ニューヨーク近代美術館

Cotton Pickers, Thomas Hart Benton, 1945

Cotton Pickers

1945 · シカゴ美術館

Study for Homestead, Thomas Hart Benton, 1928-1930

Study for Homestead

1928-1930 · 非展示 · ニューヨーク近代美術館

The Station, Thomas Hart Benton, 1929

The Station

1929 · 非展示 · ナショナル・ギャラリー

Plowing it Under, Thomas Hart Benton, 1934

Plowing it Under

1934 · 非展示 · ナショナル・ギャラリー

Homestead, Thomas Hart Benton, 1934

Homestead

1934 · 非展示 · ニューヨーク近代美術館

Mine Strike from The American Scene, no. 2, Thomas Hart Benton, 1936

Mine Strike from The American Scene, no. 2

1936 · 非展示 · ニューヨーク近代美術館

ナショナル・ギャラリーで肩を並べる作品

美術館のページ

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

ジネーヴラ・デ・ベンチの肖像, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

ラ・ムスメ, 1888

同じ主題 · Travel

この主題の作品をすべて見る

"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

非展示 · ナショナル・ギャラリー

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

非展示 · ナショナル・ギャラリー

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

非展示 · ナショナル・ギャラリー

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

非展示 · ナショナル・ギャラリー

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

非展示 · ナショナル・ギャラリー

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

非展示 · ナショナル・ギャラリー

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

非展示 · ナショナル・ギャラリー

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

非展示 · ナショナル・ギャラリー