Evening, Honfleur

1880s

Charles Henry's lectures at the Sorbonne

In the 1880s Seurat hears lectures by the mathematician Charles Henry at the Sorbonne on the emotional properties and symbolic meaning of lines and colour; there remains controversy over how far he adopted Henry's ideas.

1884

Meeting Paul Signac

At the first exhibition of the Groupe des Artistes Indépendants Seurat meets Paul Signac, a future follower of pointillism; Signac later wrote that “Bathers” is painted in broad flat strokes and looks less bright than the Impressionists' canvases, but that the systematic separation of light, shade and local colour gives it harmony.

15 May – 30 June 1884

The Salon rejects “Bathers”: a debut at the Indépendants

The official Salon rejects “Bathers at Asnières”, and Seurat shows the painting instead at the Groupe des Artistes Indépendants, which runs from 15 May to 30 June 1884 — his debut as a painter.

1886

Nine works, the public's mockery and the critics' defence

At the last Impressionist exhibition Seurat presents nine works; the critics R. Marx and Félix Fénéon write favourable reviews, but the public ridicules the “pictures painted in dots”, and the Swiss critic Émile Hennequin finds them grey and poor in light. The Impressionists are sceptical: when Pissarro says that “La Grande Jatte” is very interesting, Degas replies that he would have noticed, but it is so large; Seurat himself blames the hall for being too dark and cramped to give the picture the necessary distance.