Étienne Jeaurat., Greuze, Jean-Baptiste, 3e quart du XVIIIe siècle (1769)
Jean Baptiste Greuzeの肖像Jean Baptiste Greuzeフランス, 1725–1805

Étienne Jeaurat.

3e quart du XVIIIe siècle (1769) · Peintures

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『Étienne Jeaurat.』は今どこに? ルーヴル美術館, Salle 933, Aile Sully, Niveau 2, パリ. はい、現在展示中. 確認 2026年9月26日.

ルーヴル美術館

パリ, フランス

展示室933, Aile Sully, Niveau 2

閉館· 明日9:00に開館

一般公開されています。

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出典
美術館

作品データ

収蔵番号
INV 5033

カタログ収録

出典

  • ルーヴル美術館
  • 画像: ルーヴル美術館 — © 2011 GrandPalaisRmn (musée du Louvre) / René-Gabriel Ojéda

その頃、Jean Baptiste Greuzeの人生では

生涯をすべて見る
  1. 1765–1769

    The Academy demands his diploma piece and bars him from exhibiting

    The Academy presses Greuze for his long-delayed diploma picture and forbids him to exhibit on its walls until he complies with its regulations. Diderot calls the Academy’s letter a model of honesty and reverence and Greuze’s reply a model of vanity and impertinence: he should have backed it up with a masterpiece, which he did not.

  2. 1769

    Admitted to the Academy only as a genre painter

    Wishing to be received as a history painter, Greuze presents the canvas Septimius Severus and Caracalla, exhibited beside his portrait of Jeaurat and the Little Girl with a Black Dog, and suffers a clear fiasco. The Academy accepts him, but only as a genre painter; the director says it respects his former excellent works but has “shut her eyes” to this unworthy canvas.

  3. 1769–1804

    The quarrel with the Academy and his withdrawal from the Salons

    Greatly incensed by the director’s words, Greuze quarrels with his confrères and ceases to exhibit until 1804, when the Revolution had thrown open the doors of the Academy to all the world.

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