Jean Baptiste Greuzeフランス, 1725–1805割れた卵
Broken Eggs
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メトロポリタン美術館
展示室展示室 631ニューヨーク, アメリカ合衆国
一般公開されています。裏付けとなる出典は下に記しています。
- 確認
- この状態になった日
- 出典
- 美術館
この絵画について
『割れた卵』（われたたまご、仏: Les Œufs cassés、英: The Broken Eggs）は、18世紀フランス・ロココ期の画家ジャン＝バティスト・グルーズが1756年にキャンバス上に油彩で制作した風俗画である。1920年にウィリアム・キッサム・ヴァンダービルトから遺贈されて以来、ニューヨークのメトロポリタン美術館に所蔵されている。
作品データ
- 収蔵番号
- 20.155.8
その頃、Jean Baptiste Greuzeの人生では
生涯をすべて見る1750–1755
His first picture is taken for someone else’s work
A provincial who has settled in Paris at twenty-five, Greuze draws from the live model at the Royal Academy’s school without attracting his teachers’ attention; when he produces his first picture, The Father of a Family Explaining the Bible to His Children, its authorship is called into question.
1755
The Deceived Blind Man brings him into the Academy
Greuze exhibits The Deceived Blind Man; presented by the sculptor Pigalle, he is immediately accepted by the Academy as an agréé. He also enjoys the support of the well-known connoisseur La Live de Jully, brother-in-law of Madame d’Épinay.
1755–1757
To Italy with Abbé Gougenot
Towards the close of 1755 Greuze leaves for Italy with Abbé Louis Gougenot, a student of mythology and allegory whom the Academy elected an honorary member during the journey; he undertook it probably to silence those who taxed him with ignorance of great models of style. The trip did more harm than good: the Italian subjects that made up all his contributions to the Salon of 1757 showed he had been put on a false track, and he soon returned to the source of his first inspiration.
