Alexandra Exterポーランド, 1882–1949Construction
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ニューヨーク近代美術館
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 11 日前
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 1006.1983
出典
- ニューヨーク近代美術館: the museum's own open data · 11 日前に取得
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Alexandra Exterの人生では
生涯をすべて見る1918–1920
A workshop of decorative and applied art in Kyiv
Passionate about decorative and applied art — designs on dresses, shawls, tablecloths, cushions, screens and lampshades — she opens, together with I. Rabinovich, a teaching and production workshop where P. Tchelitchew, Alexander Tyshler, Vadym Meller, Anatol Petrytsky, Kliment Red'ko, N. Shifrin, A. Petrovich, Nikritin and others work.
1920
Moves to Moscow
She leaves Kyiv, where she had lived since 1905–1906, and moves to Moscow.
1921
The “5x5=25” exhibition in Moscow
Her work is displayed alongside that of other Constructivist artists at the “5x5=25” exhibition; in the same year she becomes director of the elementary course “Color” at VKhUTEMAS, a post she holds until 1924.
1921–1924
Employed by: Vkhutemas
1924
Emigrates to France
She and her husband emigrate to France and settle in Paris; she will never return to Soviet Russia.
spring 1924
The Soviet pavilion at the Venice Biennale
In the spring of 1924 she travels to Venice to take part in organising the 14th Venice Biennale and the Soviet pavilion; most of her works are not shown but appear in the catalogue, and for the entrance hall on the pavilion's second floor she creates a special painting inspired by Venice.
