Piet Mondrianオランダ, 1872–1944Composition with Red and Blue
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- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 635.1967
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Piet Mondrianの人生では
生涯をすべて見る1919–1938
Return to Paris
In 1919 Mondrian left the Netherlands for Paris for the second and last time and at once turned to his studio: to hide its flaws he tacked large single-colour placards to the walls, accented by compositions of smaller coloured paper rectangles. From then on, periods of painting alternated with experiments in regrouping the papers on the walls.
1930s
Double lines, influenced by Marlow Moss
In the 1930s Mondrian began to use thinner and double lines more often, punctuated by a few small coloured forms; the double line, in which he saw a new dynamism, was influenced by the work of his friend and contemporary Marlow Moss.
1934–1935
The “Abstract and Concrete” exhibitions in Britain
Three of Mondrian's paintings were shown in the “Abstract and Concrete” exhibitions at Oxford, London and Liverpool.
