Christ at Emmaus, Albrecht Dürer, probably c. 1509/1510
Albrecht Dürerの肖像Albrecht Dürerドイツ, 1471–1528

Christ at Emmaus

probably c. 1509/1510 · Print

お目にかかれますか?

ただいまはお迎えしていません

ナショナル・ギャラリー

ワシントンD.C., アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

確認
この状態になった日
出典
美術館

作品データ

収蔵番号
1943.3.3664

描かれているもの

カタログ収録

出典

その頃、Albrecht Dürerの人生では

生涯をすべて見る
  1. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

  2. 1505–1507

    Friendship with Giovanni Bellini

    Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.

  3. 1505–1507 · 活動地

    Venice

  4. 1507–1528 · 活動地

    Nuremberg

  5. 1511

    Publishes the Great Passion and the Life of the Virgin

    Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.

  6. 1512

    Emperor Maximilian I becomes his chief patron

    From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.

すべての作品

ナショナル・ギャラリーで肩を並べる作品

美術館のページ

同じ主題 · キリスト

この主題の作品をすべて見る