László Moholy-Nagyアメリカ合衆国, 1895–1946Cel 4
見られますか？
現在は展示されていません
『Cel 4』は今どこに？ 所蔵: イエール大学美術館, ニュー・ヘイヴン. 現在は展示されていません. 確認 2026年10月19日.
ニュー・ヘイヴン, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 1974.29.1
カタログ収録
出典
- イエール大学美術館
- 画像： イエール大学美術館 — Image: Yale University Art Gallery · In Copyright
その頃、László Moholy-Nagyの人生では
生涯をすべて見る1920–1933 · 居住
Berlin
1925
The book “Painting, Photography, Film”
Published in the Bauhaus Books series, it is where Moholy-Nagy chose the word “photosculpture” for his photomontages and advanced the idea of “New Vision” — that the camera could show the world as the eye cannot. He was the first interwar artist to suggest using the telescope, microscope and radiography in art; in 1929 the book appeared in Moscow as “Painting or Photography”.
1934
Leaves Nazi Germany for Amsterdam
After the Nazis came to power in 1933, Moholy-Nagy, as a foreign citizen, was no longer allowed to work in Germany. In 1934 he emigrated to Amsterdam and worked in the Netherlands, mostly on commercial jobs.
1935–1937 · 居住
London
1937
Director of the New Bauhaus in Chicago
On Walter Gropius's recommendation and at the invitation of Walter Paepcke, chairman of the Container Corporation of America, Moholy-Nagy moved to Chicago as founding director of the New Bauhaus. The school's philosophy was unchanged from the original, and it was housed in the Prairie Avenue mansion Richard Morris Hunt had designed for the department-store magnate Marshall Field.
1937–1946 · 居住
Chicago
